Jeff—Saturday
“So, what should I write about this week,” he said.
“The subway,” came bouncing back from his muse. “The new Q-line.”
For what seems a decade we’ve been skirting around the massive
construction project at the bottom of our Upper Eastside street that had
necessitated leveling a couple of classic shops on East 72nd Street,
and destroyed the business of several others.
The plywood barriers, construction trailers, five lanes narrowed to
two, cranes, hardhat worksite dictates, and posted public relations assurances
that the new Second Avenue subway would open on time had become part of the
background to the neighborhood.
Then suddenly, on January 1, it opened! Just as promised and (allegedly) within
budget. The streets were quiet, clean,
and uncluttered again, while through an elegant, unobtrusive entrance streams
of folks went in and out at all times of the day.
Until then, they’d had to march four blocks south and two west to
catch the Lexington Avenue 6 train, a notoriously mobbed line running up and
down the east side of Manhattan.
Now they had an alternative, one connecting the eastside with the
west, as the first phase of construction promised to bring the same sort of
relief to other neighborhoods.
On Wednesday night I had my first chance to use the Q. In two stops,
and fifteen minutes door-to-door, we arrived at Carnegie Hall. Thursday night we had Knicks basketball
tickets and made it to Madison Square Garden in four stops and less than twenty
minutes. If we’d wanted to get off in the
theater district, it would have been but three stops.
New York lost to Washington. |
Bottom line: bye-bye taxis and Uber, and hello MTA. Whoever came up with this new line deserves
extraordinary credit for expanding and enhancing mass transit use.
But wait, there’s more. Descent into the bowels of Manhattan at my
stop involves a six-story escalator ride down to the platform below. It’s a
surreal experience, offering an elevator for the vertigo inclined.
It's a long way down...and if you want to ride, click on the film clip below |
But what will blow your mind is the artwork adorning the new station
walls (at 63rd, 72nd, 86th, and 96th
Streets). It’s a museum worthy experience.
Here’s what the MTA has to say about its artwork.
Commissioned by MTA Arts & Design, the Second Avenue
Subway’s Phase 1 artworks together comprise the largest permanent art
installation in New York history. These art installations represent the
vibrance and cultural diversity of New York—a city continually on the move.
Artists
Jean
Shin – 63rd Street: Elevated, 2017, Laminated glass,
glass mosaic, and ceramic tile
Jean Shin’s installation, Elevated uses archival photographs of the 2nd
and 3rd Avenue Elevated train to create compositions in ceramic tile, glass
mosaic, and laminated glass. The imagery is manipulated and re-configured and
each station level provides a unique focus, palette and material. At the 3rd
Avenue escalator, the view is filled with ceramic tile depicting construction
beams and the cranes that dismantled the El in the 1940s. At the 3rd Avenue
mezzanine, a mosaic reveals the sky where the train had previously been
present, and features images of people from the era in this neighborhood
transformation. The platform level features semitransparent and reflective
materials showing vintage scenes of the neighborhood, while enabling
contemporary viewers to see themselves in the cityscape of the past.
Vik
Muniz – 72nd Street: Perfect Strangers, 2017, Glass mosaic
and laminated glass
Perfect
Strangers by Vik Muniz features more than three-dozen characters
created in mosaic and installed throughout the mezzanine and entrance areas,
populating the station with colorful images of all types of New Yorkers. The
main station entrance features a laminated glass canopy at street level depicting
a flock of birds, bringing art and nature to the busy location. Within the
expanse of the mezzanine concourse, the life size figures provide bursts of
color and visual interest and an opportunity for new discovery with every trip
through the station.
Chuck
Close – 86th Street: Subway Portraits, 2017, Glass and
ceramic mosaic, ceramic tile
Chuck Close in Subway Portraits has created twelve large-scale works
that are based on the artist’s painstakingly detailed photo-based portrait
paintings and prints. His various painting techniques have been interpreted in
ten works as mosaic, and in two as ceramic tile. The artworks measure close to
nine feet high and are placed on the walls at the station entrances and the
mezzanine concourse. The people portrayed are cultural figures that have
frequently been his subjects, including Philip Glass, Zhang Huan, Kara Walker,
Alex Katz, Cecily Brown, Cindy Sherman, and Lou Reed, as well as two distinct
self-portraits.
Sarah
Sze – 96th Street: Blueprint for a Landscape, 2017,
Porcelain tile
Blueprint
for a Landscape by Sarah Sze
profoundly impacts the look of the station as her imagery is applied directly
to nearly 4300 unique porcelain wall tiles, spanning approximately 14,000
square feet. The designs feature familiar objects – sheets of paper,
scaffolding, birds, trees, and foliage – caught up in a whirlwind velocity that
picks up speed and intensity as the composition unfolds throughout the station
with references to energy fields and wind patterns. Each entrance features a
different shade of blue and a blueprint-style vector line design, a visual
theme that is integrated with the architecture.
I guess the bottom line to all this is simply that, despite everything
we sense as wrong with our government, there are some things it gets right. The Second Avenue Q line is surely that. Bravo
New York City.
And thank you, BZ, for the suggested topic.
—Jeff
Wow, the artwork is beautiful. And some of it so realistic. For a second, I was ready to swear that one of the figures was Barbara. How did she manage to get picked as a subject???
ReplyDeleteSilly question, Evka. Wouldn't YOU pick Barbara for a subject!
DeleteI second that emotion!
DeleteYup!
DeleteActually, EvKa, the hardest part was catching the kid behind her in mid-leap.
DeleteOn time, on budget, works, no floods, great artwork? Pity these people didn't build the Gautrain here which failed on all these points.
ReplyDeleteTo be fair, I should point out that Michael has never taken the Gautrain!
DeleteTo be fair, I have to point out that the above comment is false!
DeleteSound more like the "no-gotrain."
DeleteHow great, Bro. I can now get to your place in five stops. And without changing trains. And the vice is versa. Lasagna alla Bolognese will be on offer after mid-March.
ReplyDeleteMorale: Where a subway runs, you cannot hide. :)
DeleteHmm, I wonder how London's cross rail compares ...
ReplyDeleteSounds wonderful, Jeff. Can't wait to experience it for myself. On one of my early visits to NYC, SJ Rozan very kindly shared the Secrets of the Subway with me, so now I ride it everywhere with great pleasure when I'm over there. People-watching is always fascinating!
People watching for sure! And with this section of the Q (at least for now) you actually have a chance at getting a seat. As for Secrets of the Subway, sounds like a Phantom of the Opera knockoff.
DeleteI have watched too many episodes of Law and Order and was terrified on the New York subway!
ReplyDeleteThat makes you just like a native New Yorker.
DeleteBro, BALONEY! Caro, Law and Order is fiction, written by guys who live in LA. Real NYers are not terrified, just totally annoyed when ever there are delays. Which are a lot less than you'd suspect given that the system moves 4+ million riders a day. It's one of the reasons why NYers per capita have one of the lowest carbon footprints of city dwellers anywhere.
DeleteYou may not be afraid, Sis, but everyone in the car with you is justifiably terrified.
DeleteI am glad you are afraid of me, my brother. I certainly try to frighten you every chance I get. But I doubt all the other people in the car with me are terrified. My disguise as a harmless. little old lady works very well on the other 4,000,000 who are just playing with their phones, talking to their babies, reading their books and newspapers, and ignoring the crimal mind I hide so well on public transportation.
Delete