Are you Scripturient?

Karen Odden – every other Thursday 

Like everyone, I get all kinds of random fun-fact stuff in my in box every day. Today in History. Mastering French Phrases. O&H Kringle of the Day. (Almond will always be my favorite. Raspberry a close second.) Some of this email traffic I glance over, and if I’m busy, I don’t always look at it. 

But if I have a moment, I do like to look at the Word of the Day. This word caught me. I know I’m a bibliophile; but recently, I discovered I’m scripturient. Who knew? 

Then again, maybe we all are scripturient. We write constantly – especially if we consider typing on our keyboards writing. Think about your day. Which of these have you written recently? Emails, blogposts, to-do lists, social media posts, entries on a paper calendar (yes, I still keep one, in addition to the one on my phone), scribbles in notebooks, marginal notes in the books you’re reading, novels, short stories, poetry, a recipe for a friend, a birthday card, lists of things to pack for a weekend trip, itinerary for a conference, a signature on the credit card pad at the store, a quick text, a Post-it reminder note, a shopping list. 

It’s interesting to take a moment to consider how deeply embedded writing is in our lives, and how many kinds there are. How it’s part of our day, instinctive, almost unconscious, in a way that blinking or breathing is, and also how many different ways there are, physically, to produce written texts, from Egyptian hieroglyphics to Braille to feather quill pens to Bics to keyboards. Think how quickly our fingers move on our phones when we're texting. Perhaps there, especially, our rates of speaking and writing approach each other.

"Creative writing" is, to my mind, somewhat of an artificial category. Perhaps a shopping list isn't creative writing ... but a birthday card? I'd say it is. I mean, I choose my words for the extra words I add to the message inside -- because each person is different, and I have different kinds of relationships with different people. I'll make a joke to one person that I might not make with another; I know my audience, and I write to them, with awareness of my voice and what message it's carrying. Is that so very different from choosing my words for starting a chapter? 

I think we all do more creative writing than we realize. Just something to consider. 

I’m going to leave you with a few famous quotes on writing because I like these quotes better than anything else I could say on the topic. These mostly apply to creative writing ... but also to writing generally, in some cases. Sometimes it's fun to read what brilliant, famous people have to say about writing.

“Write what disturbs you, what you fear, what you have not been willing to speak about. Be willing to be split open.”  — Natalie Goldberg 

“We write to taste life twice, in the moment and in retrospect.” – Anais Nin

“You have to write the book that wants to be written. And if the book will be too difficult for grown-ups, then you write it for children.” — Madeleine L'Engle 

“The best way to become acquainted with a subject is to write about it.” – Benjamin Disraeli

“There is no greater power on this earth than story.” – Libba Bray

“As for ‘Write what you know,’ I was regularly told this as a beginner. I think it’s a very good rule and have always obeyed it. I write about imaginary countries, alien societies on other planets, dragons, wizards, the Napa Valley in 22002. I know these things. I know them better than anybody else possibly could, so it’s my duty to testify about them.” — Ursula K. Le Guin  [photo]

“If I waited for perfection, I would never write a word.” — Margaret Atwood 

“I am not at all in a humor for writing; I must write on until I am.” — Jane Austen 

“I just give myself permission to suck. I delete about 90 percent of my first drafts, so it doesn’t really matter much if on a particular day I write beautiful and brilliant prose that will stick in the minds of my readers forever, because there’s a 90 percent chance I’m just going to delete whatever I write anyway. I find this hugely liberating.” — John Green 

“On first drafts: It is completely raw, the sort of thing I feel free to do with the door shut — it’s the story undressed, standing up in nothing but its socks and undershorts.” — Stephen King

Between Hills and Pilgrims: Oviedo's quiet geography

 

Kwei - Alternate Wednesdays

Oviedo doesn’t announce its geography. You notice it gradually—on foot, looking up. The city feels contained, but not confined.

 

Routes around Monte Naranco—
where local trails intersect with the Camino Primitivo

To the north rises Monte Naranco, less a mountain than a long, steady ridge. It frames the city without enclosing it, shaping both skyline and movement.

 

Spring fields below Monte Naranco—
green, open, and deceptively gentle

Oviedo sits in a shallow basin rather than a true valley. The land rolls instead of dropping away. There are no steep walls—just continuous green slopes that soften distance and scale.

 

Cristo del Naranco watches over the ridge
—visible from almost anywhere below

These paths are not just local trails. They form part of the Camino Primitivo, one of the oldest routes to Santiago. For centuries, pilgrims have crossed this same terrain—walking the same gradients, reading the same skyline.

Layered greens—
Oviedo’s terrain never quite settles into flat.

Walking here means constant adjustment—small ascents, gradual descents. The terrain never disappears; it stays in the body.

The result is subtle but distinct. Oviedo feels held by its landscape, not trapped by it.

Technically a pilgrim—just the short-form version

One feels friendly, open skies.

How Can It Be that Last Sunday was Easter--But So Is Tomorrow?

 

Jeff--Saturday

There are two explanations for that phenomenon.  One easy, one not––but neither being that it's the movie "Groundhog Day" come to life. 

The simple answer is that Greeks and others of the Eastern Orthodox faith calculate their Easter based upon the Julian calendar while Protestants and catholics use the modern Gregorian calendar.  If you want to know precisely how wth date is determined, the explanation starrs to sound strangely reminiscent of some I've herad touted these days about where our world is headed:

“The determination of the date of Easter is governed by a computation based on the vernal equinox (the point at which the ecliptic intersects the celestial equator, the sun having a northerly motion) and the phase of the moon. According to the ruling of the First Ecumenical Synod in 325, Easter Sunday should fall on the Sunday which follows the first full moon after the vernal equinox. If the full moon happens to fall on a Sunday, Easter is observed the following Sunday. The day taken to be the invariable date of the vernal equinox is March 21.”

I think it best we just say that Greek Easter follows the Julian calendar (though both can be on the same date) and leave it at that.

But no matter how the date is determined, Easter is by far the main event in Eastern Orthodoxy.  It is preceded by more than a week of significant religious and cultural observations.  And on Mykonos, Easter literally brings the island back to life.

Mykonos in Springtime

In the winter, Mykonos is a sleepy island village with virtually no tourists, no business, few open bars, fewer restaurants, and no clubs.  But come Easter Week everything changes.  Red and yellow springtime poppies burst to life all over the island’s hillsides, and those and still more varieties of flowers embroider the blanket of green covering the nearby holy island of Delos.  There are Church services every day of Holy Week, as well as daily preparations for the feast to come at the end.  Breads and cookies are readied on Monday and Tuesday, baking is done on Wednesday, and eggs are dyed red on Thursday, the day Christ was put up on the Cross.

Tsoureki Easter bread

By Thursday, Mykonos is filled with mainland Greeks flocking to their vacation homes and others looking to participate in a perfect example of spiritual and temporal coexistence: Easter church rituals strictly observed during the day, followed by the island’s as nearly hallowed party traditions through the night.  But that taste of the coming mid-summer craziness is short lived, for if you don’t catch the action that weekend come by in June, because Mykonos is back in hibernation come Tuesday.

An Epitaphios in procession on Mykonos

Evening services on Good Friday start at seven in the old town’s three main churches, Kiriake, Metropolis, and Panachra.  At precisely nine, each church’s clergy and worshipers leave their church in separate processions carrying their church’s epitaphios (the painted or embroidered cloth representation of Christ on a bier elaborately adorned in spring flowers and symbolizing his tomb) along a prearranged route, winding past the other two churches before ending up back at their own to complete the service.  It represents the funeral of Christ, and Mykonians and visitors line the route, some standing on balconies and sprinkling the participants below with a mixture of rose water and perfumes, the rodhonoro used on Christ’s body when taken down from the cross. 

The same three churches serve as the scene of the following night’s Holy Saturday services.  Most generally start heading off to church around ten, but for certain everyone is there by midnight.  For that is the high point of Easter, when church bells ring out across Greece and even total strangers exchange the traditional Christos Anesti and Alithos Anesti greetings that Christ has risen, kiss each other, and light each other’s candles to share the light and joy of the occasion—a light brought to Greece for just this purpose from the Holy Flame of Christ’s nativity cave in Jerusalem.  Worshipers carry the light back into their homes or their favorite restaurants, except for the hearty souls who remain in church for the balance of a service that lasts hours more into the morning. 

Midnight in Mykonos

Mayiritsa soup

Now it is time to challenge each other with the customary one-to-one smacking of those dyed-red eggs for good luck to the winner (mine always cracks first) and devour the traditional mayiritsa soup (made from parts of a lamb you may ask me about if you really want to know), fluffy tsoureki easter bread, and salads to break the forty-day fast leading up to Easter. 

But the big feast, the one everyone looks forward to, comes on Sunday.  That’s when all the work of the week and all the spring lambs find their purpose.  There is church, too, of course, but this day is more about celebrating with family and friends.  And eating.

The star of a Greek Easter Sunday (center)

Dieting starts Monday.  Kalo Paska 

--Jeff

Conservation and tech

 Michael - Every other Thursday

In a world where modern computer technology is becoming regarded as a threat, it’s interesting to see AI, drones, and photo recognition being put to purposes we can all agree are worthwhile and useful. What’s more, a lot of the research being done for these applications is happening here in South Africa.

We’ve become used to the idea that drones carry bombs – often aimed at civilians; AI is out to take jobs and steal books, and perhaps suck up all the electricity; and automated photo recognition is designed to spy out sites to destroy and follow people who may be troublesome to authoritarian governments.

The thing about AI is the emphasis is on it doing things humans can do well (e.g. writing mysteries) rather than on focusing on things humans can’t do.

However, a recent article in South Africa’s online newspaper, The Daily Maverick, shows how these are tools that have some very valuable roles to play. Since my own research interests were in image processing and remote sensing, I was intrigued (and a little skeptical) and so I had a more detailed look. I concluded that although it’s early days, all these technologies have promise to assist with wild life management and conservation.

A drone picture of an elephant helping himself to Sisal plants at night.
The picture is in the thermal infrared showing the animal
very clearly against the background.
Picture courtesy Conservation Through Tourism

For example, take elephants in areas where borders are lines on maps and fences are designed to keep in cattle. Probably more than lions, they are a danger to people and so indirectly to themselves. Elephants are smart and know that it’s best to break into crop lands at night while people are asleep, and a herd of 100 elephants can do an enormous amount of damage in a few hours. Electric fences with alarms are well and good. So you know you have 100 elephants in your crops. Now what?

A herd wonders through the bush - easily identified in the TIR
Photo courtesy Conservation Through Tourism

A group called Conservation through Tourism has been experimenting with drone and remote sensing technologies. The drones have cameras that take high resolution images but also thermal images. One can see the elephants clearly against the vegetation even on a dark night and through trees. Even better, the elephants don’t like these drones. They make a noise and can buzz you, so you move off. A couple of them can actually herd you. They know where you are, they know where they want you to go and not to go, and there’s not much you can do about them as long as they keep their distance. Once you start to move off, it’s just a matter of steering you back home. That can be done by a human watching a computer screen in a Land Rover, or, even better, by an artificial intelligence system analyzing the scene using GPS location information.

Another potentially valuable application is remotely counting species populations in conservation areas. This has been done for many years by people in the Kruger park area at least once a year. The technique is to use helicopters with human spotters counting everything they see. By having multiple counters on the aircraft, the data can be averaged and then a clever model predicts what’s been missed species by species. If you saw 10 Impala, you probably missed 2.3 and so on.

Gaia drone. Not one of the toy variety...
Photo courtesy Daily Maverick

How about if the whole thing could be done automatically at a much lower cost? Once again you need a drone outfitted with a high resolution camera that takes multispectral images. That means its photographs are at different wave lengths of light (some that we can’t see in the infrared) so that the AI system that afterwards analyses the images can distinguish not only between different individuals but also between different species. Because of the different wavelengths, animals could be recognized even under cover. Of course, there will still be individuals missed, but now the spotter is always the same so there’s consistency. Absolute numbers are usually less important than trends in wildlife conservation. (I’ve been one of these aerial counters, and it’s really hard to be consistent.)

Herd of buffalo drinking.
They have to be correctly separated from the hippos
Photo courtesy Timbavati Nature Reserve

That is just what Project Gaia is. In a recent survey to the West of the Kruger National Park, the drone flew 20,000km (12,500 miles) and took nearly 3 million photographs. No way humans could even imagine analyzing that, but a specially trained AI system can – first identifying the animal species and then adding it to the count.

One of the appealing advantages is that the drones fly quietly at 100 meters’ height and don’t disturb the animals. Helicopters are noisy and often scare animals. Apart from the distress that may cause, it may also result in the animals running far enough to be counted twice…

Of course, these are niche applications. It’s the military and the big tech companies that have the money. Regrettably, the AI, drone, and aerial survey companies will follow the money. At least other applications can pick up the scraps.

I Don't Like New Things

Ovidia--every other Tuesday

I like the idea of them and I admire (and envy) people who embrace them and plunge in (Thank you, Stan!) But when it comes to actually stepping into something unfamiliar—like this new Substack—I find myself hesitating, resisting, wanting figure it all out before I begin.

And no, I don’t like this about myself. And I don’t like things changing.

These were my darling doglets, Princess and Hermione ten years ago.

They’re gone now. For a long time I was sure I could never have another dog because no other dog could replace them. And I didn’t want to let them be replaced.

I felt that way before— When I was in primary school and they started clearing jungle and moving people out of the hillside farms in what I’d thought of as wilderness behind our home.

In those days the ‘jungle catchment area’ extended all the way across to Bukit Timah Hill. It felt like the green on granite heart at the centre of Singapore island had always been there and would always be there. It was full of jungle chickens, monkeys, snakes, and the occasional wild pig. There were treks worn to the wild durian and chempadak trees and children would compete with monkeys for ripe mangoes, bananas and rambutans. When the construction began, we used to climb up the slope and walk along the levelled earth, not understanding what it was becoming and assuming it would soon go back to ‘normal’.

Today, that stretch is part of the Pan Island Expressway.

There are no more jungle chickens and no way (for people or pangolins) to cross over on foot.

And when they opened up that stretch of the expressway I remember realising that things would never go back to ‘normal’. And that what I’d thought of as ‘normal’ was just how I’d seen things from my limited (in place and time) POV.

I’m also thinking about letting things go because we’ve just had the sea burial—

Burial urns being released into the elements.

Another reminder that we have to let things go.

Writing is also particularly challenging now because I’m trying something new there too. I can’t talk about it because of I want to figure out what I think of it on the page. I’ve got to where I have a kind of structure I like but am clearing out stuff that’s no longer useful or relevant given how the story turned out (for now) and I need to cut a lot of stuff--which always hurts.

At about 30,000 words now, possibly less tomorrow depending on how much gets culled.

I started writing for theatre and now, when shaping a book, I feel like I’m trying to be the director, scene, set and lighting designer, manage the sound system as well as act all the parts.

And now, trying to step into Substack, I feel like I’m walking into a new space with a producer I’m not familiar with.

It’s like trying to figure out characters (especially the unpleasant ones whose nonsense has to make sense to them) while hosting a complicated gathering and figuring out who gets invited into the VIP room (because Sponsors) and will they be happy with Prosecco and dim sum and how to make sure those who come because they love you (and are quietly hoping there won’t be anything too activist, alternative or otherwise alarming) are comfortable with what they find within your pages.

And I always feel I’m not ready yet.

The problem is, the expressway gets built whether you’re ready or not. The wilderness changes and the story moves forwards.

Singapore is always changing and remaking itself because we are so short of land. It’s like living in a Minecraft scenario where the landscape is always changing.

And yet the past never quite disappears either.

And maybe my discomfort and resistance to change is part of the whole process.

When Princess and Hermione died it felt wrong to even consider another dog. But now we have Sophia.

She’s not Princess or Hermione but entirely herself—but with echoes of them both.

Our Scruffy Sleepy Sophia.

And I’m coming to understand what I didn’t when I watched the roads being carved through our jungle spaces: things don’t come back, but new things come as you let go and move on.

One Thin Dime

 Sara E. Johnson, 1st Sunday

I mentioned in a previous post that I enjoy teaching my Exploring Mysteries class. One session is on the history of mysteries, and in researching that wide and deep topic, I learned about dime novels and how they caught on like a California wildfire and broke ground for many of the genres we enjoy today.

Dime novels debuted in the United States during the Civil War era. Named for their cheap price, they began as lurid Westerns, and later branched to romances, adventures, and detective stories. Their straightforward plots combined sentimentality with violence and introduced readers to new vistas much like books set in a foreign locale do for me.

The first known dime novel, Malaeska, the Indian Wife of the White Hunter by Ann S. Stephens, was published by Irwin and Erasmus Beadle and Robert Adams in 1860. It’s a tale of an interracial romance between a white hunter and Malaeska, a Mohawk woman. Their son is raised in the white culture. When the son learns of his parentage, his reaction is melodramatic, a common element of dime novels. Here’s the section when the son learns of his parentage: "Great God!" he almost shrieked, dashing his hand against his forehead. “No, no ! it can not — I, an Indian? a halfblood? the grandson of my father’s murderer? Woman, speak the truth; word for word, give me the accursed history of my disgrace.”

(No surprise: dime novels perpetuated racist stereotypes of Native Americans, Blacks and Asians.) Stephens was paid $250 for Malaeska. It reportedly sold over 300,000 copies. You can read it in its entirety; it is in the public domain.

Civil War soldiers tackled the boredom of camp life by reading and trading dime novels. According to one book historian, dime novels were “sent to the army in the field by cords, like unsawed firewood.”

Prior to the Civil War, reading was an upper class or upper-middle class pastime. Books were expensive. In the 1850s, the average book cost $1 to $1.50. The creation of dime novels slashed those prices so that virtually anyone could afford to have their nose in a book while, at the same time, literacy rates were growing.

Dime novels were mass produced on cheap paper. They averaged one hundred pages and were small: 6.5 x 4.5 inches, perfect to fit in a pocket or pocketbook. To keep costs low, the books were printed on paper similar to newsprint. Any dime novel you come across in an antique store is likely to have brittle or crumbling pages. The print was often fuzzy and with odd space breaks.

Updated shipping methods – though no comparison to Amazon’s next-day delivery – brought the dimes to almost every newsstand or dry good store. People – largely of the working class – went crazy for them. In the five years following Malaeska, the Indian Wife of the White Hunter, Beadle and Adams published more than five million dime novels. ‘Books for the millions’ was proclaimed on the covers. Dartmouth Libraries said, “Enormously popular and critically maligned, the dime novel was one of the first forms of mass culture in the United States.”

Detective stories soon replaced Westerns. One of the earliest was The Two Detectives; or, The Fortunes of a Bowery Girl. This was actually a nickel novel because it was short. The Bowery Detective series focused on gritty city crime. A funny aside: Typical dime novel detectives were old. Their names often reflected their advanced ages: Old Bull’s Eye, Old Sleuth, Old Neverfail, and Old Spicer.

Women became writers and readers of dime novels. The plots that attracted them dealt with romance and marriage. Many readers were ‘working girls,’ so a repeated story line was a love between a working class girl and a noble. (Sound familiar?) All for Love of a Fair Face, The Story of a Wedding Ring, The Unseen Bridegroom, and The Charity Girl are titles of dime novels marketed for women.

The dime novel’s counterpart in the United Kingdom was the penny dreadful. Subjects were Gothic – hence the name – and included tales about vampires, highwaymen, murderers, and ghosts. They were also know as penny bloods, penny awfuls or simply ‘bloods.’

The years 1870 to 1900 were the dime novel’s heyday. Not many dime novels were printed after World War I. Pulp fiction magazines nudged them aside and going to the ‘motion pictures’ was more exciting and cheaper than one thin dime.

Dime novels are a thing of the past. Today, mass-market paperbacks face a similar extinction. Remember how you could pick up a copy of Jaws or Carrie at the airport or drug store for a cheap price, and slip into your pocket? Mass-market paperbacks, like dime novels, were touted as making reading accessible for the masses, including me. Trade paperbacks, hard covers, Ebooks, audio books, and Netflix are dancing on their graves.

Which mass-market paperbacks do you have yellowing in your book case? Happy reading and I'll see you next month.

Sara Johnson, 1st Sunday 

Thirteen Years Ago Today, 'Here's Looking At You, Babe' Played Out for Real.

Saturday - Jeff

Thirteen Years ago today I wrote a post for MIE detailing a seminal occurrence in my life--the birth of a grandchild.  As my family prepares to celebrate today's thirteenth anniversary with reminiscences of the years of wonder and joy we've reaped from that miraculous event, I thought it appropriate to reflect back on memories of that day---at least as I recall it---by republishing my time-line scribblings as the reporter on the scene:

It was a 5:00AM Thursday morning.  Ugh, what an ungodly hour for an alarm to go off.  But if we hadn’t driven in last night from my farm in western New Jersey it would have been a 3AM wakeup.  Hmm, a quick check of the emails—what else does one do first thing in the morning?  It’s from a friend on Mykonos: “Call me. It’s important.”  My guess is it’s in response to my request for information about an esoteric Greek funeral practice tied into my new Andreas Kaldis novel.

I reply, “Am on way to the hospital.  Will call later.”

There’s another message from the same friend. “Call me after the baby is born.”

After the baby is born. Wow.  Seeing the phrase in black and white (pixels) makes an impact.  My baby girl is having her own baby this morning.  Her first.  It’s set for 7:30AM. 

I’ve been so busy this week cutting away the remaining trees downed by hurricane Sandy that I haven’t had time to work on my post for Saturday.  And I know that I won’t be able to focus on a “Greek piece” this week.  But come to think of it, with all the time Greeks spend obsessed with the “fixins” for babies, perhaps it might be a refreshing change to focus on the back end of the courting process.  My sort of in real time existential take on “Waiting for Baby.”

5:45AM.  We’re headed north to Huntington Hospital. It’s close by the Long Island Sound, not far from where we’re staying just south of the Long Island Expressway.  Officially the LIE is Interstate 495, Long Island’s commuter backbone, known affectionately to those whose lives are tethered to it as “the Long Island Distressway” or “The World’s Longest Parking Lot.”  I remember living out this way in the early 70s.  Beautiful place, offering a wonderful life…if you don’t mind rush hour commutes into NYC. 

6:00 AM.  Made it to the hospital and found the Labor and Delivery Waiting Room.  Impressive name.  Too bad the green carpeting and mismatched green-brown furniture doesn’t cut it. But who cares about the décor—which probably is why it’s as bad as it is—I just hope we get to see Karen before she goes into surgery.  She’s having a Caesarian delivery.  Strange name.  I always heard it came from the way Julius Caesar entered the world, but according to all-knowing Wikipedia (thank God the waiting room has wireless), that theory’s been debunked.  It’s now thought to derive from the verb caedere … to cut…as in to cut through the abdominal wall to deliver the baby.

It’s so much easier being a man.

I’m not worried. Nor is my daughter. At least she wasn’t when we spoke last night before she went to sleep.  Honest, I’m not worried.

6:15AM.  Karen’s mother, Judy, and Judy’s husband, Joe, arrive in the waiting room.  Three strangers also are in there and have been since before Barbara and I got there. They’re the quiet type.  Haven’t said a word to anyone.  But they won’t remain that way for long.  Judy—that’s my ex-wife—is naturally gregarious, capable of drawing monks vowed to silence into animated conversation.  She pulls out a photo of Karen taken less than an hour after she was born.  My handwritten note on the back gives the details. I was anal then. I was a lawyer.

6:45AM. Karen’s husband, Terry, pops into the waiting room to say we can see Karen. We follow him through a maze of turns and doorways, complete with one wrong turn attributable to an anxious pappy moment.  There’s the room and inside is Karen, all smiles and calm amid monitors and an IV hookup.  I can hear the baby’s heartbeat: loud, strong, and ready to take on the world.

7:15AM. Terry’s mom and dad arrive.  Three sets of grandparents hovering and waiting for the big moment. I sure hope the new kid is into hugging.  Terry says it’s our last chance to toss out name suggestions.  I’ll spare you that, but believe me when I say it’s easier to title a new book.

7:30AM.  Nurse comes in to prepare Karen and says we have to leave.  We head down to the cafeteria for coffee.  I think I’ll write.  Not a chance.  Judy has new photographs of our son’s children to share. 

8:00AM.  Terry shows up in the cafeteria.  Things are delayed.  A woman who’s been in labor all night now needs an emergency C-section, so Karen’s time has been pushed back a bit.  The nurse told Terry to get something to eat and Karen to rest. We tease him about his “deer in the headlights” look…a natural segue considering his up close and personal SUV run in with a Long Island Bambi the day before yesterday.

8:15AM.  Terry gets a call from Karen.  Everyone’s listening as he says, “Wow.” 

He hangs up to a chorus of “What’s ‘Wow’?” 

Answer:  “Doctor said that since Karen isn’t in distress and other women are facing more difficult situations, her delivery is now pushed back to at least noon, maybe as late as 2PM.  But Karen has to rest, and we have the choice of hanging around in the waiting room or cafeteria until then or leaving the hospital and coming back later.

Barbara and I vote for going back to sleep.

9:00AM.  Back at the hotel I receive a SMS from Terry.  He suggests we wait to hear from him before returning to the hospital because the doctor said there are likely to be more delays. I try calling my friend in Greece.  No answer. I send a SMS on the situation to my son and brother.  I fall asleep.

11:00AM.  Message from Terry:  Looks like she’ll go in at 2.

12:30 PM.  I never realized how many Dunkin’ Donut shops there are on Long Island. Maybe it’s just how many times we’ve driven past the same one in the last twelve hours, but there does happen to be one right next door to the baby store we’re looking for.  Barbara suspects it has the “perfect” stuffed animal.  In exchange for her promise that we can go to Dunkin’ Donuts for coffee “after,” I join her in the hunt for bunny rabbit. It’s decision time: Do I prefer the pink, blue, beige, or white one?  I try feigning nonchalance:  “Whichever one shows the least dirt.”  That’s how I choose my cars these days, so why shouldn’t it work for bunny rabbits? 

I know, it’s pink for girls and blue for boys, but that requires you know the sex and we don’t.  Karen doesn’t want to know the ending before she finishes the story.  Sounds like a mystery writer’s daughter to me.

2 PM.  Back in the Labor and Delivery Waiting Room. It’s just the six of us on baby watch, plus a receptionist.  No one wants to talk about anything serious…even baseball’s off limits. It’s just old memories retold, recast, reminisced.  Funny isn’t it how life’s genuinely significant events are so often surrounded by mindless waiting.

A television mounted on the far wall is running a (badly written) soap opera. I’m sure the last time I knowingly sat in one place for so long with a soap opera playing on television was in some Greek hospital’s waiting room, but that show would have made more sense.  The only person watching it is the receptionist.  Perhaps it’s “General Hospital” and she considers it part of a work-study program.

2:15 PM. Another couple comes in.  Now it’s eight people plus the receptionist and she’s still the only one watching TV.  Two are reading newspapers, one a magazine, another a Kindle, two are on iPads, and one is just staring off into the middle distance. I’m typing away on my Macbook Air.

A Reese’s mini-pieces commercial comes on the TV.  I look up.  Finally, something on TV I can sink my teeth into.

More waiting.

2:30PM. Terry stops in to say Karen is now in the delivery room.  Everyone’s quiet. We know it’s time.  He leaves.

2:55 PM. An SMS from Terry.  “In for epidural.”

3:15PM.  The hospital’s PA system breaks the silence with Brahms’ Lullaby. We’re told it’s played throughout the hospital every time there’s a new baby born.

My heart jumps.  Could it be ours?  I’m really excited, almost in tears. “Oh my gosh,” says Terry’s mother, Joyce, to her husband, Tom.  Judy’s husband starts taking photos of everyone.  I try imagining my daughter’s face at that moment.  Six very excited people are now waiting for confirmatory news.

3:30PM.  No one’s told us anything yet.  Terry’s mom walks down to the nursery.  Comes back with no news.

3:55PM.  Still no word. Where’s Terry?  Where’s an SMS?  The mothers are getting worried, the fathers are acting as if they’re not.

4:00PM. Tensions are rising. Talk is now onto politics.  If the baby doesn’t show up soon we might need to switch the TV to the World Wide Wresting channel to properly reflect the changing mood in the room.

4:05PM.  Right on cue Terry shows up in the doorway. His mother cries and hugs him. He says to come with him to see Karen and the baby.  “So what is it?” we ask.  He says they want to tell us the details together. Dramatists both.

It seems a long walk, but Terry knows the way perfectly this time and it’s only a couple of minutes before we’re standing in front of a large wooden door marked “recovery room.”   Terry knocks, we wait for someone to let us in, and six of us herd in behind him.  Karen is on a bed off in the corner covered in a blanket and wearing some sort of scarf.  I look closer.  It isn’t a scarf.  It’s a snuggly wrapped baby. Her baby!

Terry goes to the far side of the bed to stand beside his wife and child as my theater trained daughter announces,  “Baby was born precisely at 3:00PM, weighs five pounds, ten ounces, is eighteen inches long, and is a” … drumroll please … “She.” 

No longer an “it” but a she!  A babe!  A moll! A lassie! And a genuine beauty if I may say so myself.

We only have time to get in a quick peek at her before the nurse starts shooing us out of the room saying we’ll get to spend more time with baby and mom in about an hour.

As I’m leaving the room Karen calls out, “Dad.”

“Yes.”

“Come back, please.”

I walk over to her bed and lean down.  “Yes, honey?”

She whispers, “I watched your face when I told you about my baby.”

I smile.  “I was crying.”

“I know.”  And my baby cries as she squeezes my hand.

God bless you, my beautiful baby granddaughter, your Mommy, and your Daddy.

–Jeff