Showing posts with label the British Library. Show all posts
Showing posts with label the British Library. Show all posts

Sunday, December 14, 2025

Support Your Local Library

Annamaria on Monday

This morning it snowed in NYC.  The first falling snow I've seen in sometime.  That's because I have been spending my winters in a place with a Mediterranean Climate: Italy -- Florence to be exact. In less than a week I will be on my way.  Though it's never easy for me to organize myself for 2 1/2 months away, this year I am particularly discombobulated. 

I spent most of the fall focused on getting a manuscript ready to send to my agent.  Then I went back to the first draft of Vera and Tolliver 5 and found scene by scene pouring out of wherever those stories come from. First drafts are the hardest, but for me also the most riveting aspect of writing fiction.

I am, therefore, rerunning a post from 10 years ago, on a topic very close to my heart. Here it is. It's about a gift i urge you to give.  


Annamaria on Monday

It's nearly Christmas.  I urge you to give a gift to everyone in your community.  One they can use freely, enjoy, find extraordinarily useful.  That will inform the ignorant, entertain the bored, help the unemployed find a job, and distract those in pain.   No shopping is involved here.  All you have to do is make a donation to your local library.

One of the lions--Patience and Fortitude--that grace the Main Branch of the New York Public Library

I realize that, unlike murder, free public libraries are not everywhere.  They are pretty much everywhere in the USofA.  If they exist where you live, you owe it to yourself to follow my advice and give to your local bastion and guardian of civilization.  Libraries are the most benign places on earth.  I have gotten to experience all of the top three.

The libraries of the world line up like this. One: The Library of Congress in Washington.  Two: The British Library in London.  Three: The New York Public Library, where I have the enormous privilege of calling myself a writer in residence.  Mine is the MOST user friendly.  And open and welcoming.  Not so much, numbers one and two.

At the Library of Congress, you have to apply if you want to read, show ID, make a case for yourself.  It is not onerous, but not totally open either.

Here is the drill if you want to research at The British Library.  First, you have to go on their website, which is dense with long paragraphs of information spread over many pages.  The information is arranged in the most arcane way: like books stored by the Dewey Decimal system--according to rules understood only by licensed librarians.  If you are really determined, you will be able to find and fill out the application form.  Once you have submitted a properly completed form, you will be directed to a list of acceptable forms of identification.  You will need to present two of them when you arrive at the library.  You will also be given your personal applicant ID number.

The British Library
On the day you arrive for the first time, you will be directed to a special room, where you enter your ID number in the computer system and then wait.  Eventually applicants will be called by that ID number to be interviewed.  A very friendly, in my case, person will ask you to explain what of their collection you want to see and why.  I have no idea of the criteria they use to judge your worthiness.  All I know is that I passed muster to read in their Africa and Asia Room.  They gave me a special British Library photo ID.


If you survive the above, you go to the cloak room in the basement, where you give up all your worldly possessions except for your computer, pencils (NO PENS), and your notebook.  You put those three things, and nothing else in a clear plastic bag.  You then can take the elevator to the reading room you have designated.  There a guard will check your ID and your clear plastic bag.  Then and only then you can read a book.

I don't resent this.  It is a privilege to be able to read British Library's books, and they have a right to require whatever they want of the people they allow in.

But nothing like this happens in the NYPL or in public libraries all over the the USA.  If you want to read a book, all you have to do is ask for it.  If you want to borrow a book to take home from one of the branch libraries, you have to have a card like this.  No photo, no approved forms of ID, no expiration date.

  

I consider free public libraries sacred.  They are my temples of free knowledge.  My places of worship.

I fell in love with the library as a very young child, when my brother and I called it "The Liberry."

My Brother and Me
The Paterson (NJ) Public Library saved my life. I would have grown up somehow if I could not have read its books as a child, but I would not have grown up to be me. Even before my brother and I learned to pronounce it, we loved to go. We went at least once a week in the summer. Our mother took us to our local branch, about a twenty minute walk from home, a simple storefront filled with hundreds of books and staffed by two of the nicest ladies ever. Mommy got books for herself and my brother and I chose from the children’s section. He had a weird taste for books about snakes, guns, and tanks—a bother since we were allowed only three books at a time. When I finished reading mine, I was stuck with his questionable selections until the next trip. As long as we were still in elementary school, the rules allowed us only children’s books, but since I was voracious, there was soon nothing left for children that I hadn’t read. So as a seventh grader, the librarians allowed me to select biographies (but never fiction) from the adult section.
Paterson Public Library

During the summer, between grades seven and eight, I took to going with my friend Dolores to the main branch, a bus ride away. It was much grander than our local storefront. Here is a picture of it—a building designed by Henry Bacon, who subsequently designed the Lincoln Memorial. It’s now on the National Register of Historic Places.

It was one of the most elegant places we had ever seen. Only churches and the Paterson City Hall compared with it. Even in the big library, however, we were not allowed grown-up books, except for biographies. Why the librarians thought that the lives of real people would be more edifying than those of fictional characters is beyond me now, but in those days we just took what we could get. Consequently, I read the lives of Fred Allen, William Randolph Hearst, and Lunt and Fontaine, among many others—lives of people who lived large, an idea one could hardly get a whiff of in our working class neighborhood.

Now I am privileged to do my research at the Main Branch—the Stephen Schwarzman Building—of the New York Public Library, a marble temple of knowledge that can tell you anything you want to know and will tell it to you no matter who you are.


 An Italian friend who was living here in New York was amazed when she found out how egalitarian our library is. We went together to do research one day. She is from Florence, home to one of great libraries of the world: The Biblioteca Nazionale Centrale di Firenze. It is massive and beautiful. And like libraries everywhere has on staff some of the most devoted employees anywhere. When the floodwaters were rising in 1966, one of them, a woman, stayed until the last possible moment, moving priceless treasures from the lower floors to the upper ones. When it was too late to continue, she escaped over the rooftops, carrying Galileo’s telescope. That library is fabulous, but unlike ours, you can’t just walk in. You have to have top-notch credentials just to get through the door.

Biblioteca Nazionale Centrale di Firenze

My friend and I walked into the Main Branch one day along with scores of others seeking all kinds of information. She wanted to know the New York City and New York State laws governing the manufacture of foods containing dairy products. I wanted a map of Paraguay in 1868. We both found what we wanted: she in the main reading room, and I in the Map Division. Where else in the world can you do that? And get the help of kind and knowledgeable people to do it efficiently. It’s amazing.

Map Division

And it is gorgeous, is it not?





Main Reading Room




Your library needs you. You may not even go there yourself, but the library deserves your support. PLEASE, give a donation to your local public library. You can probably give online in a couple of minutes. There are kids in your town who need the library, for whom it will open vistas that will change their lives.

Thursday, August 8, 2024

Torn Between Four Novels

 Wendall -- every other Thursday

I’m stuck.

 

For 35 years, I’ve believed that you have to write every day. And I have. Not always well, but I realized early on that if I showed up every day, then every third or fourth day I might write something worthwhile. I couldn’t just wait for the worthwhile days—they didn’t come without the worthless ones.

 

I even wrote every morning while I was traveling. Here's my favorite spot in Brisbane.
 

I’ve always tried to start every morning, early, to be sure I got my writing done before I started in on my full time job—teaching and lecturing on screenwriting and helping other writers figure out their voices and their stories.

 

Finally, I guess the burden of trying to think for myself and help so many others at the same time has gotten the better of me.

 

It feels a little bit like being on the tea cups ride at Disneyland, spinning around and dizzy in the same place. . .
 

I seem to be paralyzed with indecision about what to write next. So, I am trying to get my mojo back by doing my favorite part of the writing process—research. Of course, since I am researching four projects at once, it’s also possible I’m making the problem worse.

 

I love research, probably too much. I remember doing my first research project ever, in fourth grade, on the history of Hawai’i. I can still remember how much I loved learning about Queen Liliʻuokalani and, as my education continued, and the libraries got bigger and more beautiful, the delights of learning about things and places that were new to me has never really gotten old.

 

The Wilson Library and Archive at my alma mater, The University of North Carolina.
 

I can honestly say I have spent some of my happiest days ever in libraries, and my particular delight in working in the Humanities Reading Room in the British Library wound up informing two major subplots in my novel, Fogged Off.

 

The exterior of the "new" British Library.

 
The Humanities Reading Room.

Even though we are lucky to have the internet for research, I still prefer doing it in person, with primary sources, surrounded by real books, documents, and photos and making at least some of my notes by hand, in a proper notebook. Of course, all my old notebooks don’t have a convenient “search” function, but I always learn something by going back through them.

 

Some of my favorite Edwardian headlines.

 
A real life trial I'm drawing from.


 

My "inspired by" real life advocate's office in the Inns of Court.

 

Here are a few more documents, books, and photos for my current(?) projects.

 

My aunt at NBC Radio City in Los Angeles in 1942.

And at the Brown Derby.



One of my favorite books on 40s LA.

Something else that's bubbling.

I'm doing research on Paris, both on 19th century ex-pats. . .

 
And in 2006/2007. . .


Aquarium de Paris.

And, of course, on some of its inhabitants.
Wish me luck!!!

---Wendall

Thursday, May 16, 2024

Mugged

Wendall -- every other Thursday

Like my protagonist, Cyd Redondo, I am a “carry-on only” traveler. 

We’ve all had airlines lose our luggage, either temporarily or permanently, but it was only in my twenties, after I was horrified to recognizes a few of my “scanties” circling the luggage carousel—the handlers had destroyed one of my duffel bags and only partially duct-taped it back together—that I decided never to check a bag again.

Who wants this, really?
 

This makes a lot of things easier, including checking in and arriving at my destination, not to mention reducing stress, but the downside is that it limits the kind of treasures I can bring back from my travels, both international and domestic.

The top of our fridge. The bottom is also full of commemorative magnets.
 

Since I am a Million Miler plus on American, this means I have an inordinate number of postcards, magnets, pens and hotel pads, jewelry, scarves, and coffee mugs.

When we moved last year, I found many of the treasures I was able to tuck away in my two pieces of carry-on and, even though the items in my hoard are small, they still conjure up the delight I felt when I found them, and also some sadness, since many of the places I loved—like the original Sahara Hotel or our favorite restaurant in Carpinteria, Sly’s—are gone. 

 

 

James and I stayed at the Sahara the weekend we got married. And many times after, until it was sold and ruined. This mug has been glued back together, twice!


 
Although there is still a decent restaurant in the old Sly's space, it's not the same. Glad we have the mug.

 

Also glad I have the mug from the London book store where I found most of the books I've used for one of my current works in progress.

 

The booksellers in Wildys deserve a medal.
 

Here are a few more mugs I've dragged home over the years.


One of my favorites, from the Museum of New Zealand Te Papa Tongarewa.



We always try to get exhibition mugs. Particularly happy still to have the MOMA Picasso mug from '96 and the Titanic mug from Belfast.


 

 

And from concerts I've traveled to.

 Hotel mugs, always, if they have them.


I always stayed in the Niche Hotel in Newcastle when I lectured there.


 

And the Beverly Hills Hotel mug was a must, right?

I've been to Santa Fe many times, and have the mugs to show for it.


The mug on the far left features a Harvey Girl, from the exhibit in the New Mexico Historical Museum.


I've brought too many mugs home from England, but here are some of my favorites. The T.E. Lawrence mug from the National Portrait Library, the Lewis Chessmen and 250 year anniversary mugs from the British Museum, and a mug from my favorite store in Bloomsbury, Edwards and Todd.           

You can never have too many mugs from the British Library. Here's Alice Underground and one of my favorites from the Penguin mug collection.

 

What do you all bring back from your travels?

 

--Wendall

Monday, October 30, 2017

CWA Awards and London Fun

Annamaria on Monday



I am in London, where I travelled for the CWA banquet and a chance to meet up with some friends.  But the huge highlight of the trip was attending the CWA Dagger awards ceremony with Leye Adenle, one of Sunshine Noir's two (out of the six!!!) nominees for best short story.

Stan warned us that the affair was very posh, so Leye and I did our best to make a good impression.


The tables were set with place cards that put us pals opposite each other.  


When I picked up my phone to snap this picture through the candles..


I found Leye taking the same photo of me.


The competition for the our category was stiff, and the award went to LC Tyler, but we agreed that our Sunshine hotties snagging two of the six spots was a huge honour. (This spelling courtesy of my laptop knowing that I am in the UK at the moment.)


I noted that of the six nominees for the International dagger...



...the only Nordic entry won,...


...but I was encouraged to note that four of the six nominees were hot clime writers--two Italians and two Spaniards.


A huge THANK YOU to the delightful Ali Karim for the picture of
 Leye and me above.
I spent the ensuing two days in my usual guise, as a Nerd in Paradise, researching at the British Library:




A few of the front page images that grace the walls of the Newsroom in the library


Three of the four volumes of bound copies of British East African newspapers
that were at my disposal.
You know you're a nerd when you look at a huge book full of these and say,
"Yum."