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| Helen by Evelyn De Morgan |
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| Menelaus by Giacomo Brogi |
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| Paris and Helen by Jacques Louis-David |
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| Abduction of Helen, Francesco Primaticcio |
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| Church on Kranae |
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| Homer 850 BCE |
![]() |
| Helen by Evelyn De Morgan |
![]() |
| Menelaus by Giacomo Brogi |
![]() |
| Paris and Helen by Jacques Louis-David |
![]() |
| Abduction of Helen, Francesco Primaticcio |
![]() |
| Church on Kranae |
![]() |
| Homer 850 BCE |
Wendall -- every other Thursday
I’m stuck.
For 35 years, I’ve believed that you have to write every day. And I have. Not always well, but I realized early on that if I showed up every day, then every third or fourth day I might write something worthwhile. I couldn’t just wait for the worthwhile days—they didn’t come without the worthless ones.
I even wrote every morning while I was traveling. Here's my favorite spot in Brisbane.
I’ve always tried to start every morning, early, to be sure I got my writing done before I started in on my full time job—teaching and lecturing on screenwriting and helping other writers figure out their voices and their stories.
Finally, I guess the burden of trying to think for myself and help so many others at the same time has gotten the better of me.
It feels a little bit like being on the tea cups ride at Disneyland, spinning around and dizzy in the same place. . .
I seem to be paralyzed with indecision about what to write next. So, I am trying to get my mojo back by doing my favorite part of the writing process—research. Of course, since I am researching four projects at once, it’s also possible I’m making the problem worse.
I love research, probably too much. I remember doing my first research project ever, in fourth grade, on the history of Hawai’i. I can still remember how much I loved learning about Queen Liliʻuokalani and, as my education continued, and the libraries got bigger and more beautiful, the delights of learning about things and places that were new to me has never really gotten old.

The Wilson Library and Archive at my alma mater, The University of North Carolina.
I can honestly say I have spent some of my happiest days ever in libraries, and my particular delight in working in the Humanities Reading Room in the British Library wound up informing two major subplots in my novel, Fogged Off.

The exterior of the "new" British Library.

The Humanities Reading Room.
Even though we are lucky to have the internet for research, I still prefer doing it in person, with primary sources, surrounded by real books, documents, and photos and making at least some of my notes by hand, in a proper notebook. Of course, all my old notebooks don’t have a convenient “search” function, but I always learn something by going back through them.

Some of my favorite Edwardian headlines.

A real life trial I'm drawing from.
My "inspired by" real life advocate's office in the Inns of Court.
Here
are a few more documents, books, and photos for my current(?)
projects.

My aunt at NBC Radio City in Los Angeles in 1942.

And at the Brown Derby. 
One of my favorite books on 40s LA. 
Something else that's bubbling. 
I'm doing research on Paris, both on 19th century ex-pats. . .

And in 2006/2007. . .
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| And, of course, on some of its inhabitants. |
---Wendall
Native New Yorker Ann Aptaker’s Cantor Gold novels have won the Lambda Literary and multiple Goldie awards. Her short stories have appeared in the Fedora II and III anthologies, the Mickey Finn: 21st Century Noir anthology Volumes 1, 3, and 4, Switchblade Magazine, Black Cat Mystery Magazine, Our Happy Hours: LGBT Voices from the Gay Bars, the upcoming Private Dicks & Disco Balls anthology, and the online zine Punk Soul Poet. Her novella, A Taco, A T-Bird, A Beretta and One Furious Night, is featured in season two of the Guns & Tacos crime fiction series.
Her latest novel, A Crime of Secrets, is the start of a new series introducing the crime-fighting duo of Fin Donner and Devorah Longstreet, women ahead of their time, an historical mystery set in the dark streets of New York in 1899.
When not writing crime fiction, Ann likes to kick back with old movies (and not so old movies), enjoyed with a big dish of ice cream.
It’s been my good fortune to enjoy extended stays in Paris every year since 2020.
But oh, Paris in 2020, the first year of the Covid pandemic. I arrived in the city on March 1st, settled into my teeny-tiny AirBnB garret overlooking a courtyard and the famous Paris rooftops, and then—wham!—two weeks later the whole country, indeed the whole world, shut down.
The French government was very strict about the lockdown. Everyone, locals and visitors alike, was required to download, print, and fill out daily forms stating exactly why you were outside. Legitimate reasons were: shopping for necessities (groceries, pharmacy needs, etc.), medical or other required appointments, going to a job considered essential by the government, or a one-hour daily walkabout for fresh air and exercise, masked of course. If a gendarme stopped you and you didn’t have the form filled out for that day, there was a hefty fine among other penalties. As a non-citizen, you could even be deported.
As in cities around the world, ambulance sirens wailed day and night, the sick and dying driven to overcrowded hospitals staffed by overworked, helpless nurses and doctors. Basic necessities were often scarce. Fear descended on Paris with a choking grip.
And yet…
And yet it was Paris. No plague could take away its beauty, its, well, Paris-ness. The famous Paris springtime lived up to its reputation. The air was clear and sweet. The sky was an incredible shade of blue. The curlicued beauty of the city’s architecture, Art Nouveau Metro signs and entrances, and my romantic view of the rooftops were sensual balms to my soul.
| Rooftops |
| Bird atop Metro entrance Place de la Nation |
| Colors on the rooftop |
| Angles and chimneys |
| Curvy drain pipe |
| Bird on rooftop during hard rain |
| Clouds and silvery chimney |
As a writer, it wasn’t hard to fill all those other hours confined to my garret. As it happens, I was already contracted to write the fifth book in my Cantor Gold crime series. So there I was, writing eight hours a day or more, immersed in murder and mayhem on the page while outside were the twin realities of death by plague and the glorious insistence of le joie de vivre. There was a dreamlike quality to my days and nights. But of course, who hasn’t dreamt of writing a novel in a little garret in Paris?
Ovidia--Every Other Tuesday
Every time I go online I'm reminded this isn't the best time to be out of Singapore given the Singapore Writers Festival is on 'Live' now, over three festival weekends.
But oh, I really needed this break! And the timing was right, given I'd just submitted a short story and the rough of the next book and got my Covid bivalent booster before leaving. And also because it's l'automne here in Paris now, our favourite season for visiting and our first trip here in three years!
The agenda was to do nothing except rest and recuperate. It's also our first trip since our dogs died, so it marks a turning point. Some people celebrate becoming empty nesters, we'll just be shifting things around and getting rid of dog stairs/ dog exits etc.
But for now, Paris!
We're back in Astotel Bergere, my favourite hotel because it's small enough that you don't feel you have to put on your LVs to chat in the foyer and it has this lovely skylight in the lounge, so we can sit comfortably with an outdoor feel. It was still on air-conditioning when we arrived but just switched to heating (10 C today).
But of course most of our time has been spent outdoors. Walking here is great, but I need to be around water. I only swim outdoors back home, but here it's getting cold, really cold for someone just in from the equator.
We found an indoor (heated) pool with some help--
The most convenient pool for us turned out to be the Piscine Suzanne-Berlioux in the Forum des Halles. It's not very popular with the locals here who say being in the complex is like being trapped in a giant shopping mall/ metro station... which sadly might be why Singaporeans feel right at home here!
Phones aren't allowed inside, but this is a snap of the outside:
The entrance fee is 5 euros and lockers are digital and included. The water is warm, the chlorine is strong and the shallow end very shallow, but people were still doing flip turns!
What was interesting was, certain lanes allow swim aids like fins and paddles (pretty much forbidden in Singapore public pools) and in the lanes where training aids are forbidden, it's also forbidden to swim butterfly stroke!
Granted, this anti-butterfly stroke discrimination might not surprise anyone else, but I (not a butterfly stroker) found it interesting. The other thing I found curious and a little off-putting was music being played in the pool area? I guess making it more like a gym workout?
But enough of swimming. We've met up with family from the UK, visited old haunts like the Parc Monceau,
where the plants are getting ready for winter. But the ducks are still here!
and just walking and walking.
The greatest difference between walking here and in Singapore is being able to walk outdoors without getting overheated before you get tired out!
It's clear that winter is coming. But though the trees are brown the sky's still blessedly blue.
And some are determined to stay green through the grey months,
Like this magnificent evergreen... and like my new friend Toby!
I'll be sorry to leave. But I'm glad I'm looking forward to getting home too!
We'll be back in Singapore for next weekend and I'm half looking forward to/ half dreading a yoga workshop (backbends and balances) on Saturday and an SWF panel on Sunday.
I'll catch up with you all once I'm back! In the meantime, this is a fantastic time to visit Paris if you've any inclination to at all!