Showing posts with label prequel. Show all posts
Showing posts with label prequel. Show all posts

Thursday, January 9, 2020

Why we went backwards

Stanley - Thursday

Two days ago, our seventh Detective Kubu mystery hit the bookshelves in North America. It is called Facets of Death. What sets it apart from the other six is that it is a prequel.

The first Kubu novel was A Carrion Death which was set contemporaneously with its publication in 2008. Each successive book followed the same pattern. After our detour to the stand-alone thriller Dead of Night outside North America (Shoot the Bastards in North America), we wanted to return to Kubu and decided to return to his professional roots.



When we started writing A Carrion Death, we didn’t plan that Kubu would be the protagonist. As novice novelists, we heeded the the advice of the experts, who said we should write about what we knew. So, as academics ourselves, we planned that a brilliant young ecologist would discover a body that had been left in the desert for hyenas to devour and go on to solve the mystery. 




However, it was obvious to our young professor that it was no accident that the body was lying naked on the Kalahari sands. It was a case of murder, so the police had to be called in. So, with much amusement, we sent a detective, David Bengu, from the CID headquarters in Gaborone into the Kalahari in his Land Rover. Let's make him big, we said. Very big! So David Bengu became David 'Kubu' Bengu. His nickname means hippopotamus in the Setswana language. Ho ho ho, we laughed and had another glass of wine.

It's a long drive in unfavourable condition from Gaborone to where the body had been found in the middle of the Kalahari Desert, so we had to find things for Kubu to do.

First, he provisioned himself with sandwiches and something to drink (non-alcoholic because he was driving and on duty). After all, big people have to eat a lot. Then, he brought along some cassette tapes of some of his favourite operas. Ho ho ho! A Botswana detective who loves opera! Giggle! And then he sang along with them - in his only-sing-along-when-no-one-is-around baritone. Clink! Another toast.


We were really enjoying this character we were developing.

He also had time to muse about how a Bushman school friend had shown him how to see clues of things hidden in the desert, such as the stone-like Lithops plants and the trapdoor spiders. Aha, we said. That was the spark that made Kubu want to become a detective. He would train himself to look beyond the obvious.

It can be really difficult to find Lithops.
Trapdoor spiders build their homes in the ground.
Trapdoor spider
 By the time this larger-than-life character had visited the scene of the crime and interviewed the men who had found the body, he made it clear to us that he had to be the main character. That came as a complete surprise. We thought we were in charge of the story.

Fortunately for us, it turned out that Kubu was a major attraction for readers. Marilyn Stasio in the New York Times summed up the matter succinctly in her review of the book: “Readers may be lured to Africa by the landscape, but it takes a great character like Kubu to win our loyalty.” 

We were delighted that Kubu won readers’ loyalty, but the fact remained that he was unplanned. 

How well did we actually know him? 

He was smart and good at solving problems. Unlike many detectives in police procedurals, he was happily married and sober almost all of the time. Of course, during the series his character developed, his relationships with his wife, parents, and colleagues deepened, and he became more solid, more three-dimensional. There were clues about his childhood in the books—things that had come up as we went along. 

We knew he had loving, traditional, but Christian parents, and that their minister had arranged a scholarship for him at an excellent private school in Gaborone. We knew of his Bushman friend. We knew he loved to do puzzles with his father. We knew where he’d met his wife. But there was nothing that explained how he’d gone from school to being the star detective in the Botswana Criminal Investigation Department. It was not just a hole in his background, but, in a way, a gap in his character.

Diamonds have always been one of Botswana’s most important exports and allowed the newly independent country to flourish. The two richest diamond mines in the world are there, owned by a joint venture between the government and the diamond giant De Beers. The fact that the country was almost totally reliant on diamonds for its success made us wonder about the impact of a massive heist. Could it shake the country’s financial foundation?

Second largest uncut diamond ever was found in Botswana a few years ago.
It is 1109 carats and named Lesedi La Rona (Our Light). 
 We decided to address both the issue of Kubu’s early role in the CID and a robbery at the height of the diamond boom by writing a prequel to the series—a Kubu mystery that starts the day he joins the CID as a new detective straight out of university without ever having to be a constable on the beat. 

Immediately things started to take shape. Kubu’s first case is a minor matter concerning a few suitcases going missing at Gaborone airport. Yet it’s a challenging puzzle, and he loves it. However, the other detectives, who have come up in the CID the hard way, have no time for him. He has to struggle to find a place for himself. Sometimes his new boss, Assistant Superintendent Mabaku (who will later become director of the CID), seems disappointed in him. Then, a massive diamond robbery takes place and suddenly everything changes. Everyone is thrown into the case, even the raw detective in his first week on the job.

As we wrote the prequel, we were delighted to watch Kubu develop, having insights, but also making the mistakes that only experience can avoid. He earns respect, but also opprobrium. And as Mabaku comes to appreciate his talents, Kubu becomes more and more central to the case. Eventually, they deduce who the mastermind behind the robbery actually is, but they have no strong evidence. Now they have to find some way to catch him, and Kubu and Mabaku both find their careers on the line—in Kubu’s case, before his career has even begun. 

By the end of the book, Kubu has learned a lot about being in the CID and how to interact with his colleagues and his superiors. He has also fallen in love with a wonderful women, and sees some hope that his feelings are reciprocated. 


Writing Facets of Death was a journey of exploration for us. We learnt a lot about how Kubu became the CID’s best detective and about who he is as a person. We know him better now. 

It was fifteen years between putting fingers to keys for A Carrion Death and for Facets of Death. We enjoyed writing the prequel just as much as the debut - perhaps with just a little less wine. We hope readers will enjoy the young Kubu’s journey also.

Sunday, April 22, 2018

Writing out of Corners: the perils of a prequel

Zoë Sharp

Last year I decided I was going to write a prequel to the Charlie Fox series. Partly this was because I wanted to be able to give something to my loyal readers who waited so patiently for me to write the latest book in the series, FOX HUNTER. Personal circumstances meant this took me far longer than I expected it to.

Also, I wanted to tell the untold story of what happened to the character way before the events of the first novel, KILLER INSTINCT. At the point that book is set, Charlie has been out of the army four years. She admits she’s drifting, career-wise, and is making a living teaching women’s self-defence classes around the local area and working in a gym.

You don't expect me to show you
everything at once, do you?

I chose that initial jumping-in point for her very carefully. I knew she had a traumatic incident in her past. She was the victim of rape by four of her comrades back when she was in the army before being vilified by authority and savaged by the press. What happened in that first book would reawaken unwelcome memories as well as forcing her to overcome any lingering doubts about her own abilities. It would throw her in at the deep end and she would have to dig deep in order to swim and survive.

Her past and the effect it’s had on her has been a continuing thread throughout the twelve books so far. We are all a product, to some extent, of our experiences. Charlie’s experiences to date have been harsher than most of us have to face in a lifetime, and I’ve kept on shoving her up trees and throwing rocks at her ever since.

And all the way through, I’ve given snippets of her backstory in the form of flashbacks and conversations, and in the awkward relationship she has with her parents. In the later books, her work in close protection even brings her back into contact with some of the men who attacked her. No coincidences there – often the only work open to former Special Forces soldiers is as a bodyguard or mercenary.

OK, here's a bit more.

Various people have asked, over the years, when I was going to write the book about what happened to her before she was thrown out of the military, but I was reluctant to do so. For one thing, I think I’ve covered that story enough in dribs and drabs in the other books. (I try not to repeat the same flashback scene twice, but to give a slightly new slant on her past each time.)

And for another, I didn’t want to write something where I knew it was going to have such a downbeat ending. Charlie is made a victim, both by the men who attack her and by the system that is supposed to protect her and provide her with justice. It would be just too unrelenting. Indeed, one of the very reasons I chose the start point I did for KILLER INSTINCT was because it’s the point at which she turns the corner, finds herself again, and begins her fight back.

So I looked for other aspects of her life which I thought might be intriguing for the reader, and add something to the character’s story. I realised that, although I had gone into detail about how she had been dismissed from her training course, I had never said what she did to get her shot at Special Forces in the first place.

After all, at the time women were not allowed in forward combat roles in the military – they will be able to apply starting from next year – and are still not eligible for SAS or SBS Selection. To get the opportunity to apply, in any capacity, would have taken some exceptional behaviour. So, what had she done?

A bit more still ...

The prequel would take place when Charlie was still in the regular army. Younger, more naïve, not nearly so cynical, and – most importantly – not yet having acquired her hard-won ability to kill without hesitation.

Because timelines are a little more elastic in fiction than in reality, it’s not beyond the bounds of possibility that, while she was still in, the British Army could be on operations in Afghanistan. I have never mentioned a specialty for Charlie during her military service, which was a shame as making her a medic would have given a great excuse for her to be in the thick of it when perhaps she shouldn’t officially be there. Instead, I made her a signaller.

That got me out of the first corner I’d painted myself into.

The next one wasn’t quite so easy. I stated that the first person she killed, up close and personal, was during the events of KILLER INSTINCT. So, in proving to the Powers That Be that she has what it takes to go in for Selection, I wasn’t able to have her actually shoot anyone dead. This despite the fact that she is noted as the best shot in her unit – during target practice on the ranges, at any rate.

Getting around that one took a lot of head scratching, but I finally managed it, with a bit of input from a couple of ex-military mates and a lot of watching dubious YouTube videos. And if you want to find out how, you’ll have to read the book!

 
And finally, the whole cover.
Sparkly, isn't it?
I’m planning to bring the prequel, called TRIAL UNDER FIRE, out next month, possibly in time for the CrimeFest event in Bristol (May 17th – 20th), although initially at least it will only be available to subscribers to my email list. Definitely time to say thank you to all those readers who’ve stuck with me over the years.

This week’s Word of the Week is kakistocracy, meaning government by the worst, least qualified, or most unscrupulous or incompetent citizens. From the Greek kakistos meaning worst and although it may seem custom-made for our times, it actually first came into use in the early 19th century.

Zoë’s upcoming events:

Thursday, May 10th @ 2:00pm
Author talk at Ellesmere Port Library
Civic Way
Ellesmere Port
Cheshire CH65 0BG

Thursday, May 10th @ 7:00pm
Author talk at Upton Library
Wealstone Lane
Upton
Cheshire CH2 1HB

Saturday, May 19th @ 9:00 – 9:50am
Marriott College Green
Bristol
‘W Is For Woman – Something To Prove?’
Sharan Newman (Moderator)
Jane Casey
Niki Mackay
Christine Poulson
Zoë Sharp

Saturday, May 19th @ 2:00 – 2:50pm
Marriott College Green
Bristol
‘Kiss Kiss, Bang Bang: Classic Thrillers’
Jake Kerridge (Moderator)
CJ Carver
Lee Child
Mike Ripley
Zoë Sharp

Sunday, May 20th @ 9:30 – 10:20 am
Marriott College Green
Bristol
‘The Indie Alternative’
Zoë Sharp (Moderator)
Ian Andrew
Karen Millie-James
Alison Morton
Debbie Young 

Tuesday, June 14, 2016

A 16th book birthday for Aimée Leduc

Cara - Tuesday It's that time. Our MIE policy is that we get to talk and tell you about our new books once a year and so today I'm excited to announce the publication of Murder on the Quai. It actually pubs today. To me, it's more like the 16th book birthday for Aimée Leduc, my series detective in Paris. This is #16 in the series, and a departure. This story is a prequel set in 1989, when Aimée is a pre-med student at the Sorbonne, her father is alive and we meet him for the first along with how Aimée met her future partner René Friant, in the detective agency. Also how Miles Davis, her bichon frise or Meels Daveez enters her life. This origin story is one I've wanted to write for a long time. The time is November 1989, the weekend the Berlin Wall fell. Part of the story goes back to a small village in the Loire region in 1942. A village sitting on the banks of the river, a demarcation line dividing German Occupied France and le Zone Libre or Vichy governed France. These are photos I found in researching this village - a place we stayed in with our neighbor's father. He'd been a young boy at the time and remembered hearing German spoken by the soldiers from across the river. From the village the story develops and leads to Paris. Paris in 1989, and the links to an old crime reverberating in murder. In her investigation Aimée explores the 8th arrondissement. You know it for the Champs Elysée, the Arc de Triomphe and the haute couture and shops de luxe near Etoile. But Aimée, who's supposed to be studying and hitting the books in a competitve medical course sees the seamier side of le jet set clubs behind the Champs Elysée. I'd never intended to write a prequel, at least consciously, however at the end of Murder on the Champs de Mars life changing things happened to Aimée Leduc and to someone close in her life. I couldn’t see much further ahead for her except from the Emergency room in the hospital where this person close to her, who betrayed her (she believes) and had shot, is fighting for their life. Conflicted, heartbroken, all I knew was that Aimée was at a crossroads. I didn’t know where she’d go from here. My editor asked me what would happen to Aimée, I think I mumbled I hadn’t much of a clue where Aimée’s life would take her now. Perfect segue for a prequel, my editor said in that brilliant way she has. She said she’d always wondered about Aimée’s origin story, on her younger days, what made her into the private detective (apart from inheriting the agency from her father) she’d become. Where did her dog, Miles Davis, come from and how did she find her partner, René Friant, and how did her vintage Chanel style emerge. Also, she asked, couldn’t we have a chance to meet Aimée’s father, Jean-Claude who we’ve heard about for 15 books and see him together with her mother and glimpse that love and attraction that drew these two very different people together. So in Murder on the Quai, we get to meet her father whose death has affected her in the rest of the series. We also meet her grandfather, Claude, who I’ve sort of fallen in love with - he’s a bon vivant, loves good food and haunting the art auctions and has a mistress. I hope if I'm in a bookstore or library near your 'ood on the book tour please drop in - love to see you. PS Anna Maria will be grilling moi and Lisa Brackmann at the Bryant Library in NYC! Can't wait AM!