Tuesday, August 30, 2016
Cote d'Azur update - forget the burkini furor it's time to outlaw Speedo's
At least that's according to recent UK newspaper articles and Twitter storms. The Speedo in question is a figure hugging skimpy nylon attire worn - in this incarnation - by middle aged portly white men which is deemed offensive and should be 'outlawed' on the French Riviera.
Zut alors! I may side with that call.
It's actually the regulation in public pools in Paris for boys and men to wear Speedo's. A hygiene thing. When my son was eight years old he wasn't allowed to swim in the fantastic public pool near Bastille is his baggy swim shorts. "C'est interdit."
And no way around it.
We ended up buying a pair of Speedo's there - conveniently for purchase - and he almost refused to come out of the locker.
He said he was too embarrassed to swim. Well, all the other males - young and old - wore them so eventually he jumped in the pool.
Ok, so here's some of the Twitter Speedo storm. Twitter users have been inspired by the controversial ruling to highlight a more offensive issue (than burkini's) plaguing beaches the world over. So on Twitter In Wake of Burkini Ban, Muslim Women Demand Criminalization of Fat White Men in Speedos -
People are asking France to ban 'pasty' fat men in Speedos instead of burkini's ...
Instead of banning the #burkini ban fat pasty guys in #Speedo ... Clearly, if there are now "Burkini Talks," there must also be a "Speedo Summit.
And in the UK The Sun says ‘Speedos are 100x more offensive’: Following France’s burkini ban, scores of people are calling on men to ditch their skimpy swimwear
This headline from the Daily Mail: Oh no! It's the return of the Speedo: Those tiny pouches of straining nylon are all the rage again. Look away now ladies
with Rod the Mod Stewart sporting one
Cara - Tuesday who says you be the judge, Mesdames et Messieurs
PS There are more important issues in France than this...
Labels:
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Monday, August 29, 2016
By Train to Marseilles, By Steamship Via Suez
Annamaria on Monday
My credentials as possessor of a riotously romantic heart are
well-established among frequent readers of this blog. A passionate aria, an antique map, an image
of the clock tower of San Marco in Venice.
The strains of a tango. The
sight of a lone giraffe standing under an acacia tree. They all take my breath
away. A list of images and sounds that
provoke longing in me could easily fill up this page.
Today’s post—about how people traveled from Britain to East
Africa in the 19-teens—needed a good title.
Something that would stir a sense
of adventure in you. Once I typed out
the words above, it took me ten minutes to settle down to work. I was high on the visions they evoked, floating
a hundred feet up, watching my long-ago-and-far-away characters travel from
London to Mombasa: their clothes, their conveyances, the scenery as their
Victorian-style train click-clacks through France, the ship, the luggage. They call at Naples. I know that bay well. Vesuvius.
Ischia. Capri. The deep dark blue of the Mediterranean. And on to the south past Stromboli, spouting
fire in the night.
I took this photo of the Mediterranean on a trip from Livorno to Catania. The deep blue sea is really blue there. Not so the Atlantic Ocean I played in as a child |
If I wanted to set a scene in Suez, I would have to research
what it looked like. One day perhaps I will go and see it for myself, but it won’t look as it did a hundred years ago.
My head already holds a composite historic picture of East
Africa’s major port. From photos I know
its landscape, its buildings. From many
eyewitness accounts I know the colors, the bustle, the emotional impact it had
on arriving passengers.
By the time the second book in my African series came along,
I also knew quite a bit about how people traveled from Europe to British East
Africa—and to German East Africa and South Africa for that matter.
The facts were easy to come by, from the Handbook of British East Africa, 1912, a
copy of which is in the New York Public Library. Just recently, I found a reprint I could
afford (originals run in the thousands of dollars—if you can find one!). For people of the time, the book had invaluable
advice. Today, it is a complete guide
for this historical novelist. How else
would I discover details like: The quickest and most comfortable, therefore the
preferred route, from London was by train to Marseilles and then steamer to Mombasa
via Suez. The handbook also has ads
telling which companies offered passage, their schedules, and the price of
various levels of accommodation.
The Idol of Mombasa, my
upcoming book, begins with Vera and Justin Tolliver coming home to Africa after
a honeymoon in Yorkshire, Glasgow, and Italy in January 1912. I chose for them the steamship Galacian of the Union-Castle Line.
Founded in 1853, Union-Castle operated cargo and passenger
ships serving this route from 1900 till 1977, when it went out of
business. The Galacian, built in Belfast, was turned into a hospital ship during
World War I. In March of 1917, it was
damaged by UC-65, a German submarine. A
year later another German submarine torpedoed and sank it.
In my story, arriving at the same time as Vera and Tolliver,
is the Grand Mufti of Egypt, a character whose presence plays a pivotal role in
the action. He comes on a different
line: Deutsche Ost-Afrika Linne, which
was established in 1890, to compete with the British ships, which dominated the
market.
In the last scene of
the book, the Egyptian clergyman leaves Mombasa, this time sailing on a French steamer
of the Compagnie des Messageries Maritime (Certainly the most romantic name for
a shipping company. How it sings to
me!) This one even had
nicknames—“MesMar” and “MM.” It was
privatized in 1996, and now operates under the totally prosaic name of CMA
CGM. UGH!
The British-India Steam Navigation Company, founded in 1856,
sailed mainly between the British Isles and India, but since there was a great
deal of interplay between India and British East Africa, this line also served
Mombasa.
I have always said, romantic as I am and with a soul
overtaken by historical fiction, I would not want to have lived in a time when
there was no deodorant, hot showers, or painless dentistry. But I would put up with a great deal of
discomfort for the experience of steaming through Suez on one of those ships of
yore. As long as I could come back to
the present—horrifying as it often is these days.
Oh, for a time machine!
Sunday, August 28, 2016
Not One For The Ladies? Women in the spy genre
A month or so ago, I
came across a piece in one of the national UK newspapers, The Daily Telegraph, detailing the ‘twenty greatest spy novels of
all time’.
The books dated from
Rudyard Kipling’s KIM from 1901 and Eskine Childers’ RIDDLE OF THE SANDS (1903)
up to SLOW HORSES by Mick Herron, published in 2010.
Monument to Yulian Semyonov in Yalta |
In between are the
likes of Joseph Conrad, Eric Ambler, Ian Fleming, Graham Green, John Le Carré,
Robert Ludlum and Len Deighton, among others. There’s the odd more unusual
choice, such as Russian author Yulian Semyonov’s SEVENTEEN MOMENTS OF SPRING
from 1969, apparently written at the urging of the chief of the KGB as a
propaganda exercise that became greater than the sum of its parts. Fascinating
to see the Cold War from the other side of the curtain.
But, only one female
author’s work makes the cut – Helen MacInnes’ ASSIGNMENT IN BRITTANY from 1942.
Interesting that in the short paragraph describing each entry on this list,
more lineage is given to Ms MacInnes’ husband, (an Oxford classicist and MI6
agent) than to Ms MacInnes’ own background.
Helen MacInnes and her 1968 novel, THE SALZBURG CONNECTION |
Is it truly the case
that women don’t, won’t, or can’t write in this genre? Or that the quality of
what they do is not up to the standard of the men? I do hope not. But, if not, why isn’t their work more highly
regarded?
Some of the first
espionage thrillers I remember reading were those by Evelyn Anthony. She
started writing mainly historical novels in 1949, but later switched to spy
thrillers, including those featuring the female head of British Intelligence,
Davina Graham.
More latterly, Gayle
Lynds has enjoyed enormous success in the espionage genre, after her first
novel, MASQUERADE, was apparently accepted then rejected by the female
president of a New York publishing house as it “couldn’t possibly have been
written by a woman”.
Libby Fischer Hellmann
writes in the crime thriller field, but has branched out in more recent years
with standalones such as THE INCIDENTAL SPY, set during the early years of the
Manhattan Project.
And when the Robert Ludlum estate were looking for a writer to continue his work, the job went to Jamie Freveletti.
I don’t claim to be
enormously widely read in this genre, but surely that can’t be it? Can it?
Any
suggestions welcome!
And another point I
noted from the ‘twenty greatest’ list – only one book featured a female
protagonist. Peter O’Donnell’s Modesty Blaise is the only woman given centre
stage, with others relegated to the usual love interest/damsel in
distress/femme fatale role. Indeed, in John Buchan’s original novel, THE
THIRTY-NINE STEPS, the character of Pamela/Victoria/Miss Fisher (depending on
which of the movie adaptations you’ve watched) is missing altogether.
Peter O'Donnell's MODESTY BLAISE. I can only hope the novels are better than the dire 1966 movie of the same name ... |
Reading the jacket
copy synopsis for many books being published today, I would have said there
were far more female protags about – I do wonder why they all seem to have to
be beautiful, however. Do all male protags have to be mind-bendingly handsome?
OK, I’ve had my rant.
Time for you to have your say.
This week’s Word of
the Week is goya, an Urdu word meaning
‘as if’ and often used to describe the suspension of disbelief or
transportation that comes through good storytelling.
Saturday, August 27, 2016
The Miracle Worker
Jeff—Saturday
A friend of mine from Switzerland, who’s a big fan of
mysteries and Greece, just sent me an email describing a miraculous experience
he had a month ago on the island of Corfu. Miraculous life saving experiences
aren’t unique to William Griffiths, for aside from having created hand-rub
formulas celebrated by World Health Organization in its “Clean Hands Save
Lives” program, he’s been present at more miraculous, life-saving moments than
I care to say.
Though some wags might be tempted to say to one involved in
so many situations requiring miraculous intervention, “Please send me your
itinerary so I know where not to be,” William sees it as another of his
continuing contributions toward bettering lives.
Among the many ways he betters those lives is by taking
their photographs, for he’s also an excellent photographer.
At times, William’s avocation overlaps with one of his miraculous
moments, as was the case with his latest experience at the concert of his good
friend, Greek classical composer Stamatis Spanoudakis.
Here is my adaptation of William’s brief run down of the
miracle he witnessed on Corfu. It’s of the sort he labels, “Hazards and Coincidences”:
It all happened on the Greek Ionian island of Corfu on the evening of Sunday,
August 7th. The concert was
scheduled to start at nine, but as musicians waited offstage to take their
places, the Bishop of Corfu used the opportunity of welcoming Maestro
Spanoudakis to give the crowd of 3,500 fans a half-hour speech.
[I can just see the audience fidgeting in its seats.]
As soon as the Bishop finished, the musicians hustled on stage, unexpectedly
accompanied by an unwelcome crew of gate-crashers: trees of lightning, roars of
thunder, near gale force winds, and heavy rain…the tail end of a fierce storm
that brought flooding and 20 deaths to FYROM.
Next to the stage stood a fifty-foot high metal pole holding heavy concert
lights in place. The winds sent the pole
crashing to the ground at the spot just vacated by the musicians—and opposite
to where they now stood—while rains drove the 3,500 fans to the exits, and winds
sent their now empty chairs flying in all directions.
Miraculously, only one person was injured, and he just slightly.
As William puts it, the Bishop’s speech averted disaster, for by speaking
as long as he did he’d not left enough time between the musicians coming on
stage and the storm hitting for fans to move into the prime spot vacated by the
musicians. Had he spoken any less—or
more—the falling light pole most certainly would have cost lives.
Way to go, William!
By the way, the concert was held on the following night—before an even
larger crowd—and here’s an example of Spanoudakis’ music.
––Jeff
Friday, August 26, 2016
The Death Of The Olympic Dream
Another Olympic Games has drawn to a close and didn’t the
Brits do well ( not a penny of the 40 million quid spent developing that bike was wasted!).
Once again we were a United Kingdom cheering on our cyclists,
our gymnasts and our athletes. Interesting to see that today the newspapers are
full of headlines about the death of the Scottish Independence debate due to
the 15 billion hole in the Scottish economy that has just been announced. But
that is for another day.
Andy Murray was Scottish, Jade Jones was Welsh,
Mo Farah was a Somalian now a Brit and
Mark Cavendish is from the Isle of Man (A Manx man- if you want to amuse
yourself look up any interview that Mark gives--- that is one weird, weird accent).
What the Olympic Games are now about seems to be a bit of a movable feast. First, the freak show argument. Whether you like it or not, to
be that good at some things you have to be on the very extreme of a normal human
physique and physiology. Mo Farah has very long tibia and radial bones. Michael Phelps has a very long back and short legs for his height, as well as huge feet. Simone Biles is
extremely short with an underdeveloped pelvis for a woman of that age – see
later hormone arguments.
Talented but you don't see guys like that in Walmart.
After the Bejing Olympics the British Sports
Association put out a call for anybody that was too tall to 'feel normal'. It was a jokey way of getting hold of those women over 6 feet tall and those men over
6 feet 4 inches. They then sat them in a boat and asked them to row quite
quickly and the rest is pure gold.
ludmila
So if that tweak of DNA and freakishness is applauded in
gymnastics where it is not seen to be an unfair advantage to tumble quicker and
more accurately than anybody else why is that acceptance not universal. (I have a Russian patient who was a gymnast
in the same Soviet training camp as Olga Corbet and she waxed lyrical on how
precise a female like Simone can tumble and somersault due to her power/ weight
ratio and short limbs. She also knew Ludmila Tourischeva and although she was a fine
gymnast her physique- female with curves and in /out bits - would be incapable of doing what Biles does now with such
ease – the physics just doesn’t work out).
Simone
Why do we not accept that it's only a tweak of nature that makes hyperandrogonous women so good at running the 800 metres. The woman standing next to
Caster Seminar in the 800 metres must have the same feeling as the man standing
next to Usain Bolt in the 100 metres. The best you are going to get is silver.
So why is one accepted and the other one up for all kinds of debate?
The state
of hyper androginism (where the levels of testosterone in a female are 3 to 4
times what is present in a normal female) lends itself to the 800 metre
distance. Caster has a 3% time advantage as she starts on the line and the
investigations are now being called for into the testosterone levels of
Niyonsaba and Wambui who were second and third in the race. There is no easy
answer to any of that and the comments of the girls they left in their wake
were not helpful. I do have some empathy for the Scot Lyndsay Sharp who ran a
personal best in the Olympic final but could only finish 7th but she DID run a PB in the Olympic Final and that is much to be applauded. Shame six others went faster.
Headlines like this are both inaccurate and unhelpful
Sharp’s always been a tricky
customer and her post race interview and the hugging of the other slim/ white
females while ignoring the medalists (Semenya, Niyonsoba and Wambui).
Somebody took a photography of Caster, the gold medallist with an arm outstretched to the three white athletes and from the look of the photograph, they
blanked her and that is inexcusable. Caster is not cheating. She didn’t ask to
be built that way. She gets out her bed in the morning and trains just like the
rest of them and she was a human being who just won a gold medal.
Margaret Wambui, Bronze medallist
I do think sport should transcend all; the
black power salute, the magic of Jessie Owen and his friendship with Luz Long ; 'find my son and tell him the way things should be between men,' wrote Luz in a letter to Owens just before he was killed in WW2. The fact that a Serb and a Croat can hug each other after being punished
over 26 miles in searing heat. There is unification in adversity. And I’m very
glad that the Olympic officials hauled Judoka Islam El Shehaby over the coals
for refusing to shake hands with his Israeli opponent, Ori Sasson. The rumour is he was on the next plane home.
And on a different note , experts say that there is no such
thing as the Olympic legacy. Nobody gets inspired to stay fit. Venues fall into
disrepair. Everybody thinks about being the new Jason Kenny, buys a bike, sticks
it in the hut and goes off to the pub for pie and chips.
Public Health experts
suggest that the money would be better spent on projects such as cycle and
walking paths which is the policy of the fittest nation in the world and they
only scored a single bronze at Rio (Finland).
So in the true Olympic Spirit I would like to offer some
more sports to really entertain the masses;
Synchronized swimming and javelin – the thrower takes a run
and sees how many swimmers he can spear.
Taekwondo and trampolining – as they both like bobbing and
bouncing up and down for no apparent reason they might as well make it more
difficult for themselves.
Pole vaulting and shooting – I think you can see where I’m
going with that one.
The high hurdles and the show jumping...
The gymnastic vault using a real horse to vault from –
a horse of the dressage variety
In my youth I have seen my dad and the Scottish cycling
fraternity do a training thing which was basically table tennis on a bike. You had to have ridden to the other side of the table to return the shot. Mark Cavendish
eat your heart out.
All the Olympians, I salute you. From my sofa.
Caro Ramsay 26 08 2016
Tuesday, August 23, 2016
Seventy two years ago this week Paris was liberated
Denise Damensztein is fifteen years old in this photo. It was taken at Leon, a Jewish restaurant, that operated during the Occupation. Denise worked serving here on Sundays and lived upstairs in the apartment on the first floor. In 1942, her parents and sister answered a knock on the door to the French police. Because they were foreign born in Poland they were on a list. Denise, fourteen at the time and born in Paris at the Rothschild Hospital, wasn't. Still the police wanted to take her. But her father bribed the policeman not to take her with a bar of soap.
Denise lived in the apartment for two years by herself, thinking and hoping they would return. She went to beauty school, worked partime at a coiffeur outside Paris. Everyday she took a train and a bus, wore a yellow star as required by law but covered it with her shoulder bag. Downstairs, the family who ran the Leon bistro, fed her dinner and she earned tips on Sunday.
Her family were close friends of Monsieur and Madame Bellalisse who ran a leather factory next door to their apartment. Monsieur Bellalisse was a Greek Jew and his wife, a German. The couple treated Denise as a niece during the Occupation. after her parents and sister were taken. Here is the remembrance of the Muguet, lily of the Valley, when the couple took They took Denise for her 16th birthday to the famous Pied au Cochon at Les Halles.
Here are the papers that enabled her to emigrate to the US in 1948.
At the end of the war, now 16 she received her Carte d'Identitie.
At Liberation in 1944 Denise learned her parents and sister had died at Auschwitz. But here she is, seventy two years ago during the week Paris was liberated, sitting next to a GI in his jeep in front of the restaurant Leon and below her apartment. She's the one smiling.
Denise loves chocolate. Here she is a few days ago topping off lunch with a dessert of chocolate mousse.
Cara - Tuesday
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