Showing posts with label atlantis. Show all posts
Showing posts with label atlantis. Show all posts

Saturday, June 11, 2016

Mysterious Santorini


Jeff—Saturday

The classic, one-week Greek island vacation splits time between the Cycladic islands of Mykonos and Santorini.  When people ask me for my opinion on the differences between the two islands I invariably say, “You come to Mykonos to meet the person you’ll want to take with you to Santorini.”   If I have to explain that, may I suggest you consult a romance novel blogsite.

Readers of this blog are well aware of my loyalties and longstanding ties to Mykonos, so let me spend this Saturday sharing my take on Santorini, another Aegean gem.


Santorini stands as the southernmost of Greece’s Aegean Cycladic islands, 145 miles southeast of Athens, 85 miles due north of Crete, and slightly smaller than the American island of Manhattan.  Its official name is Thera, but Santorini, a contraction of Santa Irini from its Latin Empire days, is how it’s known to tourists worldwide.  To romantics drawn to legend, it bears yet another name, one tied to a cataclysmic volcanic eruption some 3,600 years ago: Atlantis, the lost island. 


Two million years of volcanic activity created a round-top island of lava rock embracing three limestone mountain peaks created eons before the Aegean existed as a sea. Evidence of pottery from approximately 6,000 years ago put the first settlers on the island in Neolithic times, and archeological excavations at the prehistoric city of Akrotiri unearthed a prosperous, developed civilization in
residence in the mid-16th century BCE at the height of the Minoan Civilization.


That’s when literally all hell broke loose, destroying everyone who’d not fled a prefatory warning earthquake, in likely the most catastrophic volcanic eruption in recorded history. 


For centuries after its hellfire volcanic eruption, Santorini remained deserted, but its critical location, fertile soil, and awe-inspiring beauty ultimately drew new settlers and conquerors. Phoenicians, Franks, rulers from other parts of Greece, Persians, Romans, Venetians, and Turks laid claim, virtually all enduring earthquakes or volcanic eruptions of varying degrees during their occupation.

Today, the main island of Santorini constitutes the eastern crescent––and by far largest––of five volcanic islands comprising a small circular archipelago. Three of those islands, Santorini (or Thera), Thirasia, and Aspronisi, are all that remain of the original island of Atlantis legend, with Palea Kameni and Nea Kameni born as new islands out of that and other eruptions, including more than two-dozen in the Common Era alone.

With 43 miles of coastline, an east-to-west breadth of between one and four miles, and an overall north-to-south length of eleven miles, Santorini resembles a seahorse standing on its head and staring west (an example inspired by Susan’s friends)––in the same direction as do most tourists. 


As reflected in its hotel prices, the island’s primary attraction is its view looking west from atop the rim of the volcano’s caldera. From Santorini’s capital of Fira and stretching north six miles along the caldera’s western rim through Firostefani and Imerovigli into Oia at the island’s northern tip, tourists pay hefty premiums for the breathtaking views and promise of romance symbolized by Oia’s emblematic blue-domed, bright-white, cliffside churches at sunset.



Away from the caldera Santorini seems much like many other parts of Greece, and its beaches alone are not a draw.  But standing on the caldera’s 900-foot red-black-brown cliffs, looking across the seemingly bottomless quarter-mile depths of the crater’s sapphire blue lagoon, one faces a true wonder of the natural world.

Locals, though, tend to live in areas off the caldera, many growing wine grapes cultivated in the unique, tightly coiled, ground hugging fashion that in winter resemble rows of dull baskets, but in growing season shelter the enclosed clusters from the wind.  Tiny cherry tomatoes, capers, fava beans, barley, and a unique white eggplant are other island growing favorites, with plantings filling practically every arable spot of land.


Historically, whether built in or out of town, Santorini houses came in three basic forms: those dug out of the volcanic earth and lived in as caves, those built partially dug out and partially built in the normal way, and those built completely above ground, virtually all designed with vaulted roofs of one form or another.  As the island’s residents became more affluent, the mansions that evolved from those forms fell more under the Italian influence of the Renaissance than any other style. (For those interested here’s a link to photos and more details).

Although everyone on the island pays homage to some extent to the tourist, most Santorinian hearts still beat as farmers and muleteers.  But not as fishermen. From ancient times, the island had great merchant trading fleets, and its ships performed heroically in Greece’s 1821 War of Independence, but Santorinians generally preferred to live far away from the sea in places where they could raise their crops and mules.  It was tourists who changed all that, starting, it’s said, with teaching many a Santorinian how to swim.


It seems only fitting that an archipelago born out of ancient cataclysmic events, would be transformed by a modern catastrophe into the tourist paradise it is today, rivaled in reputation only by its Cycladic cousin Mykonos.  On July 9, 1956, a 7.8 magnitude earthquake struck Santorini in what was recorded as the largest to hit Greece in the 20th century, severely damaging if not collapsing practically every building on the island.  But much as with the mythical Phoenix, out of its destruction Santorini rose to what today is a place of 15,000 year-round residents drawing 1.7 million tourists annually––900,000 to its hotels and rooms, 800,000 more from cruise ships.


Hmmm, sounds like a fertile location for a mystery.

By the way, virtually all of the photos are by the brilliant Barbara Zilly.


—Jeff

Thursday, July 25, 2013

Atlantis found!

Stanley - Thursday

I am grumpy again!



I've recently returned to South Africa, to enjoy my endless summer; to launch Dead of Night in the country where most of it is set; and to revel in the glories of spring in the smallest floral kingdom on the planet - around Cape Town.

So why grumpy?

Well, I'm still smarting at being called a deplorable from a shithole country. I've also been catching up on my reading about the Scramble for Africa - formalised at a meeting convened by Otto von Bismark in Berlin in 1884. One of the main agenda items of the meeting was to create rules by which Europe could divide Africa - something most major European countries wanted because of the cheap labour and abundant natural resources. There were no Africans at the meeting. King Leopold II of Belgium conned the others into giving him what is now the Democratic Republic of the Congo as his personal possession. In forty years Africa went from being 10% European controlled in 1870 to 90% in 1910. Not a friendly take-over. And millions of local Blacks were killed or maimed.

Kids hand a hand cut off if the didn't work hard enough.
And I'll write sometime soon about the African refugees seeking asylum in Europe.

Grrrr.

To alleviate my grumpiness, I went back to a blog I wrote over 5 years ago. I moaned and groaned in it too, but I also explained how Africa also brings me solace.

Here it is, from July 2013.

______________________________________________________________

Those of you who read my blogs probably realize that I think that Africa is much (and unjustly) maligned by people in the West.  I attribute this to ignorance as well as prejudice.

I could write blog after blog supporting my thesis that whenever most Westerners think about, write about, or talk about Africa, their frontal lobes seize up, resulting in sweeping generalizations that have little currency in reality.

For example, 'Africans are uncivilized.'

Have people who make this statement, which I've heard in various forms hundreds of times, either forgotten or do not know that the pyramids, the Sphinx, hundreds of other temples temples, are in Africa?  Long before Archimedes lived, the Egyptians were using his principle to float 100-ton pieces of stone hundreds of miles down the Nile.  Yes, they slung them under boats rather than carry them on top, thus effectively lowering their weight by the weight of water displaced.

Have these people either forgotten or do not know that one of the greatest libraries of ancient times - the library at Alexandria - was in Africa?  It was subsequently destroyed - the details of which are somewhat murky - by Europeans and Muslims.  After the great library had gone, scholars worked in a branch library in a temple call Serapeum.  This was subsequently also destroyed  - by decree of the head of the Roman Catholic Church, Pope Theophilus.

Have these people either forgotten or do not know that one of the great libraries of today is in Timbuktu, Mali?  Actually, calling it one library is probably a misnomer, because it comprises many smaller private libraries.

 I don't think these people have forgotten these things.  I think that they do know these things (with the possible exception of the libraries in Timbuktu).

What these people actually mean when they say Africans are uncivilized is that black Africans are uncivilized.

So let's take a look at this statement from one aspect of what is regarded as one attribute of civilization, namely art.

Picasso is one of the most admired artists of all time, known for his daring shapes and use of colour.  We know he lifted most of his ideas on cubism from African art.  Yet he continues to be the once who garners the accolades - not the artists whose works he drew so heavily from.  But then they were African!

Here is a Fang mask, similar to the one that Picasso saw in 1907 in Paris, which resulted in changes to his famous painting, Les Demoiselles D'Avignon.  Most people have heard of Picasso; most people haven't heard of the Fang.



Here are a few photos from my collection - you can see why Picasso was so influenced by African art.







My favorite story in this regard - the intersection of Western bias and African art - took place around 1910.  A very interesting German explorer, Leo Frobenius, discovered a remarkable piece of art in Southwestern Nigeria, in an area called Ife (EE-fay).  It was a bronze head made using the lost wax method (you can read about this sophisticated process here).





As you can see from the photos of similar heads (his has disappeared), they are very appealing, combining a physical beauty with an ethereal expression.

Frobenius was so amazed by the beauty of what he had just found that he immediately announced that it could not have been made by a black African.

Instead he decided that he had discovered Atlantis, not an island under the sea but a part of West Africa, and that the piece had been made by Athenians who had travelled across the Sahara and conquered the people of Atlantis.  The New York Times reported this in some detail.



The Kingdom of Ife thrived economically from about 1100 to 1500 and was home to artists (African artists) who produced heads (and other things) made from both metal and terra cotta.  Since 1910 many more heads of both types have been found.

To my eyes they are stunning.

For many years, whenever I was in Johannesburg, I went to an art gallery owned by a legendary collector of African pieces, and drooled over two pieces - a terra cotta head and a bronze leopard, both from Ife.  Both five hundred years old. They were both well out of my price range.  However, a year after I had recovered from colon-cancer surgery, I was again in Johannesburg, working with Michael on DEADLY HARVEST.  Of course I went to the gallery to drool yet again.  But this time, I said to myself, why enjoy these magnificent items only for a few minutes a year.  And after all it only takes money to acquire them.

So I spent far more than I should ever have and bought the terra cotta head.  Buying both would have put me in the poorhouse.

Now I enjoy my Ife head all the time - and if I ever need the money I am sure I can sell it.

As far as I know there are only three terra cotta heads in American museums, including my home town's Minneapolis Institute of Art.  and now there's one in the Trollip gallery.

Terra cotta Ife head in Minneapolis Institute of Art - stunning!

Ife head in the Trollip collection

And I cannot tell you how delighted I am to have a piece of African art that stands with any sculpture ever made and to have my friends drool over it.  I am a lucky man indeed.

It also serves as a constant reminder as to how much further those in the West have to go before they see Africa as it is, not as they believe it to be.