Showing posts with label Netflix. Show all posts
Showing posts with label Netflix. Show all posts

Saturday, July 12, 2025

Your Greece, Your Path


 Saturday–Jeff

It’s summertime in Greece and life simply doesn’t get any better than that. If you’re an island person pick any Greek island and you’ll find magic there; but if for some reason your choice should not meet your mood or expectations, simply jump on a ferry and head to a different island for, of the more than 6000 Greek islands spread out across the Aegean and Ionian seas, 227 are inhabited.

For those who prefer a different experience, Greece’s mainland awaits you with a cosmopolitan Athens that’s the new toast of Europe, soaring mountains, deep valleys, breathtaking shorelines, fertile plains and ancient villages and sites––all peppered with locales steeped in classical history attesting to times when they served as the playgrounds of the gods.

But don’t take my word for it, this week the Hellenic Tourism Organization (GNTO) released a new video featuring the enchanting landscapes of Greece and historical landmarks. The video was created in collaboration with Netflix including clips from Netflix popular shows and series such as “Maestro in Blue,” “A perfect story,” “Beckett,” “Glass Onion: A Knives Out Mystery” and “Lighthouse Lesvos.”

Here's the video.

It’s your Greece, and your path. Hope to see you somewhere along it soon.

Jeff

Jeff’s upcoming events

2025

All Live Events

 

September 3 – 7 | Bouchercon 2025 | New Orleans, LA
Friday, September 5, 4:00-4:45 p.m.
New Orleans Marriott—La Galeries 5-6
Panelist, “Tips and Tricks for Keeping a Series Fresh,” with Anne Cleeland, Marcy McCreary, Charles Todd, Tessa Wegert, and Moderator Deborah Dobbs

Saturday, September 6, 10:30-11:25 a.m.
New Orleans Marriott—La Galerie 3
Panelist, “No Passport Required: International Mysteries and Thrillers,” with Barbara Gayle Austin, Cara Black, Joseph Finder, J.L. Hancock, and Moderator Mark Ellis

 

Wednesday, September 17, 6:30 p.m.
Greek National Tourist Organization
Presentation of the literary work of Jeffrey Siger
Ilias Lalaounis Jewelry Museum
Kallisperi 12, Acropolis

Wednesday, May 15, 2024

Quartey’s Film Reviews: “Ripley” on Netflix




“Ripley:” Believe it. Or not


Plot Overview

"Ripley" centers around the enigmatic character, Tom Ripley, a skilled con man whose talent for imitation and deception leads him into a web of intrigue and danger. Ripley's manipulative prowess is his greatest asset and most perilous liability as he navigates a world filled with wealthy elites and criminal underbellies.


Cast Highlights

Andrew Scott performs compellingly, often creepily, as Tom Ripley, bringing depth and complexity to the role. His portrayal captures the charm and menace of the character, making it a standout in his already impressive career.


Behind The Scenes

Andrew Scott, fresh from his role in the recent LGBTQ-themed "All of Us Strangers" alongside Clair Foyle, brings a nuanced understanding of complex characters to this series. His experience enriches his portrayal of Ripley, adding layers of intrigue and humanity.


Commentary

While "Ripley" is not the first adaptation of Patricia Highsmith's novels—previous versions starred notable actors like Matt Damon and John Malkovich—this rendition stands out. Filmed in stunning black and white, the visual style adds a timeless, spellbinding quality to the series. Although the plot sometimes stretches believability, it remains a fascinating exploration of deception and identity. The fact is that people really do achieve these high levels of deception.


Wrap-up and Rating

"Ripley" is a riveting series that hooks viewers from the start and is a must-watch on Netflix. It excels in every aspect, from storyline and screenplay to acting, direction, and character arcs, earning it a rare 5-star rating.

 

Storyline: 5/5

    • The storyline is intriguing and well-crafted, providing a complex web of deceit and identity that keeps viewers engaged throughout.

Screenplay: 5/5

    • The screenplay is sharp and sophisticated, effectively translating Patricia Highsmith's novel to the screen with dialogue and scenarios that build tension and develop character depth.

Acting: 5/5

    • The acting is exceptional, particularly Andrew Scott’s portrayal of Tom Ripley, which adds layers of nuance to an already compelling character. The supporting cast also delivers strong performances that complement the lead.

Directing: 5/5

    • The directing is masterful, utilizing a black and white aesthetic that enhances the mood and suspense of the narrative. The choice of shots and the pacing are meticulously handled to maintain intrigue and emotion.

Character Arcs: 5/5

    • The character development is outstanding, with each character undergoing significant transformations that are believable and impactful. Ripley’s evolution, in particular, is both fascinating and unsettling, making for a compelling watch.


"Ripley" is a riveting series that hooks viewers from the start and is a must-watch on Netflix. It excels in every aspect, from storyline and screenplay to acting, direction, and character arcs, earning a very rare 5-star rating.






Wednesday, October 11, 2023

KWEI’S MOVIE REVIEWS

There is a lot of good television--almost too much, and I watch a lot of it! So Ive decided to try something different with movie reviews every two weeks--at least for a while. The identical review will appear on my website, so please forgive the duplication if you’re on my newsletter. 
In my film reviews, I start with the benchmark of five stars and then deduct half or one point if the film falls short in any of the following categories:

  • Storyline Quality

  • Screenplay Excellence

  • Acting Prowess

  • Direction Precision

  • Character Arc Development

My inaugural review features the much-talked-about blockbuster, FAIR PLAY. 

Phoebe Dynevor and Alden Ehrenreich in FAIR PLAY (Image by Poe AI)

Fair Play Movie Review: Chloe Domont's Directorial Masterpiece

Debuting in 2023, "Fair Play" is an American erotic thriller that marks Chloe Domont's entry into the realm of feature film directing. The initial showcase at the renowned Sundance Film Festival generated significant buzz, eventually leading Netflix to acquire it for a whopping $20 million.

Cast Highlights:

  • Phoebe Dynevor as Emily Meyers
  • Alden Ehrenreich as Luke Edwards
  • Eddie Marsan
  • Rich Sommer

Set against the backdrop of One Crest Capital, a competitive New York hedge fund firm, the narrative follows the secret romance between analysts Emily and Luke. Their world undergoes a seismic shift when the firm's portfolio manager is abruptly ousted, and whispers about Luke's potential promotion to the position start making rounds. But, a twist reveals Emily, not Luke, as CEO Campbell's (Eddie Marsan) choice for the coveted position. The interpersonal dynamics and tension that ensue are gripping, with moments so intense that viewers might find themselves holding their breath.


Summary:

  • Storyline: Stellar and riveting.
  • Screenplay: Utterly captivating.
  • Acting: A class apart with performances that stay with you.
  • Directing: Chloe Domont showcases exceptional talent in her first feature film.
  • Character Arcs: While largely believable, there's a particular moment where Emily's actions felt inconsistent with her established character, prompting a minor deduction of half a star.

Final Rating: ★★★★½

If you're in search of a gripping thriller that captures corporate intrigue and personal dynamics, Chloe Domont's "Fair Play" is a must-watch trending in 2023. It promises a cinematic experience that will remain etched in memory.


Wednesday, January 30, 2019

The Start of a Book Purge

Sujata Massey


A doctor once reassured that it's normal for a writer to be disorganized. Clutter goes hand in hand with creativity. That my excuse for my lifelong for tendency to fall victim to clutter. But looking at it doesn't make me feel calm.

Because of my issues, I find it escapist entertainment to read books and watch TV programs about cleaning and organizing. I recently binge-watched a great program on Netflix, Tidying Up With Marie Kondo. I'd already read her two books, The Life Changing Magic of Tidying Up and Spark Joy, although I've followed of her teachings so far is to declutter about thirty percent of my clothes. 

I’m charmed by Marie’s warmth and playful excitement when it comes to transforming chaos into serenity. Yet critics are attacking her for her ideas about book tidying. In truth, she does not advise a certain number of books for anyone, just as she won’t guide people on which items to discard from their drawers. But she does suggest paring down in a few different ways in order to make sure what we have are books that are used or that are physical embodiments of comfort and happiness.




I decided to see if Marie’s approach could help me with my book problem. I typically donate dozens or up to a hundred books every few years. Such book purges are often inspired by moving house. I only throw away a book if it’s damaged. When every town had several used bookstores, I'd find buyers for some of the haul. Used bookstores are so few and far between these days, so it's easier to donate. 

When I lived in Minnesota, I could drop off used books in good shape to be shipped to readers in Africa, part of a humanitarian effort our own Michael Stanley championed. In Maryland, the best option is to carry cartons of books to The Book Thing, a nonprofit located in an old industrial building a couple of miles away from my home. Every Saturday, The Book Thing attracts browsers who pick up whatever they’re drawn to. It's got the same vibe as used bookstores I remember from the old days, only instead of the books costing $1 to $10, they are completely free.

As I think about this, I visualize people discovering my books, hopefully feeling like they got a steal on an immaculate coffee table cookbook or autographed mystery. The trouble is I have to get the books off my shelves first, and decide who gets to stay in the nest and who will be sent out to fly.



Marie advises gathering all the books into one place and then start sorting. But when we are talking about a couple thousand books on three floors, that sounds like hard physical labor. 



I like the expression “to pick low hanging fruit.” So I began with the long, built-in bookcase my husband built for our cookbooks in the butler's pantry. Cookbooks are unemotional handbooks not literary keepsakes--and we have more than three hundred. Yes, three hundred cookbooks owned by a couple who probably cook dinner four times a week!

Tony and I began buying cookbooks when we married in our twenties and were dreaming of a domestic future.If we tried to cook every recipe in this collection once, I am certain that we would die before we were done opening cookbooks. Morbid thoughts aside, I addressed the bookcase.

Most of my cookbooks feature cuisines of different countries. I’ve always rationalized storing them as authoritative resources I may turn to in the future, when I am cooking as often as Nigella Lawson (ha ha). Tony has his own favorite cooking tomes from his hometown of New Orleans, as well as Julia Child classics that I am keeping without question to preserve marital harmony. There are also a few easy cookbooks I received when I was a little girl that must be saved for future grandchildren. Jammed in between the books we often use are slick, trend-driven cookbooks that publicists sent to the Baltimore Evening Sun when I used to write their cookbook reviews, and dozens of cookbooks collected when I was in Japan and India that are part and parcel of the novels that I write. When I describe a Japanese rice gruel that is spoon-fed to the ill, or a caramelized onion dal served at a palace, the origins of these dishes are in my cookbooks.




I hardly ever cook Japanese food anymore, so I'm only saving two of those books. However, I continue to cook Indian food regularly, so most of these cookbooks, large and small, weathered this purge. But I thanked about twelve of them for their service and hope they find homes with Indian food lovers who shop at The Book Thing. They will be part of the donation of about one hundred cookbooks.

I can’t boast that my shelves look splendidly organized, but at least everything’s in the right section. I know to locate any Italian cookbooks on the far-right bottom shelf, the vegetarian cookbooks in the case's top shelf, and all fifteen Louisiana cookbooks stacked in a column running down the center. 

It took two to three hours to go through this book case, which is  not an inconsequential amount of time. Yet the hours spent sorting turned out to be a sentimental return to past journeys and meals. 

I came away feeling certain that that books are food ... and food is better when shared.