Showing posts with label 2026. Show all posts
Showing posts with label 2026. Show all posts

Wednesday, January 28, 2026

Snowed In!

Sujata Massey



I secretly anticipated a really big storm would hit the East Coast in 2026. 

It's not that I have psychic powers. I simply enjoy almanacs and folk wisdom about nature--and I keep my eyes out.One of these American folk legends is that when the acorns abound, snow is going to be profuse. And Baltimore was certainly overwhelmed by acorns a few months ago. The explanation is that this is something called a “mast year”—an abundant seed/nut production every 2-5 years resulting in more acorns than animals can consume: meaning, more trees for all of us. Yet this mast year, we had three winter’s worth of snow in one day. And isn't a lot of snow great for baby trees?

We had a small snow a week ago as a test; light enough to shovel easily and sprinkle down the pretty bright blue crystals of pet-safe snow-melting material. Oh, for those halcyon days of having my feet on the pavement—and not mincing over snow with my abdomen braced to keep my balance! With this particular storm, I find my legs are fatigued from all the subtle adjustments and shifts from slick ice to falling into unexpected depths of snow.

Ice seems to be bad everywhere in America this winter. I saw a picture in the Atlantic's online edition of woman who looks like a younger version of me captured by ICE agents titled  Welcome To The American Winter. Freezing weather, terrible bounty hunters, a woman fallen to the ground. Images of death and abuse of power and hard weather--as well as a national uprising like we've never seen.

Minnesotans are standing up against masked men prowling the icy streets, who incidentally can’t seem to keep their balance on snow banks. Yet a huge swath of the United States, from south to the northeast, is blesedly not under mass deportation evasion, but is nonetheless flummoxed by deep layers of ice and snow ranging from eight to thirty inches. In Baltimore, I think the snowfall was as high as 18 inches, depending on how the winds blew. I plunged thigh-deep on my walk today seeking out a bank machine from which to retrieve cash to pay for a snow plow service that never showed up.

Winter Storm Fern is not my first East Coast snowstorm. I've lived here over thirty years and usually have excitement about snow forecasts. I find the groaning sound of salt trucks dumping material on the streets comforting—it goes back to my childhood in Minnesota. I also love the scraping sounds of sleds and snow shovels on the street.I gaze in admiration at Baltimore neighborhoods transforming like film sets back into the 1800s, because nothing looks more charming than an old house set in snow. 

This storm, though, has thrown my age--and weaknesses--at me. The snow is so high and so hard that I can’t shovel as I usually enjoy doing—even a week earlier, during a two-inch storm. Yes, we salted before this particular blizzard with Pet-Melt, and I did a bit of shoveling during the storm, but it wasn't enough. Tony and I decided to make life simpler and hire professionals with machinery. So far the first two snow removal companies we made advance arrangements haven’t been able to come. We are waiting on a third, fingers crossed. You really need to take are of snow yourself.

The tradition in our house is to make a pot of chilli on a snow day. I started this when our children were small. I usually threw together a vegetarian chili made from canned red beans  and tomatoes, plus lots of fresh onion, garlic and spices. I’d also bake cornbread and cookies. We’d invite one or two families who could walk over to eat and chat with us, while the snow fell. The party felt like we were getting away with something!

Now that Tony is usually works from home, he’s taken on chilli-cooking with great professionalism. He mines the internet to find the exact out-of-print Fine Cooking recipe that he knows. He appreciates chilli so much that he initially proposed making two variations—one white and one red—but I talked him into choosing his favorite and letting me make a vegetarian alternative. At this point, we both knew we had limited hours before the snow hit, and we were cooking for a crowd. He agreed to my point—as long as he could also bake a carrot cake.

Who would argue with that?

On the final non-snow day, he shopped. It meant driving thirty minutes to a John Brown, a butcher in the Baltimore County who sells especially delicious grassfed beef. Here he picked up 7 pounds of sirloin tip. Then it was returning to the city and Mom’s Organic Market for canned beans in short supply, cream cheese, carrots and currants. Then he made a short walk to Eddie’s Market in our neighborhood for the black beans that were completely sold out at Mom’s. The man was exhausted, and then he had to unpack it all and start chopping, because the chilli would be served the next day. While he played at “The Bear” in our kitchen, I made invitations on paper to all the neighbors on the block. I decided, why not ask everyone—including the folks living in apartments, who we saw coming and going but just didn’t know?

The chilli recipe was extravagant, rising to the rim of the 16-quart stockpot. And after bubbling for a few hours, it needed to chill overnight. The pot was too tall for the fridge—but one perk of bad winter weather is the outdoor refrigerator every Minnesotan knows. My twist was sliding the stockpot underneath the dining table on the deck. I then laid a tablecloth on that table so the snow didn’t fall through it and bury our highly anticipated dish.

Snow day dawned on Sunday with flakes falling fast on the diagonal. I kept on sweeping snow from the porch and shoveling the front walk and out to the street, so our guests would be able to arrive at 12:30 onward. In between I made corn muffins and laid the table for the party. We weren’t sure how many people would come, so we put out mugs to fill with the chilli, which would stay hot in a slow cooker.  My second dish was a vegetarian shepherd’s pie made on Saturday. It was simple, a layer of richly seasoned tepary beans underneath mashed potatoes. Yes we could have made a green salad, but why? It wasn’t a normal, polite sit-down lunch with china. It was a snowstorm chili party, which meant you could eat casually in any room holding your food in one hand and a spoon in the other. 

We didn’t know who or how many would come—but the result was just right. About fifteen people, many of them not known to us. Three of these millennial households brought batches of fantastic home baked cookies. There was plenty of wine and water and kombucha. 

What a party it was! Our youngest guest was ten months, and our oldest in the neighborhood of eighty. I met 10 new people, right in my own house. I realized the beauty of living in a neighborhood that mixed homeowners and renters; students, retirees and workers. It makes for a great party mix. 

We have a lot of snow, but we are so lucky not to have lost power. And luckier still to have had new friends in our house—bringing a sense of not being alone, even when marooned.

Tuesday, December 30, 2025

Facing my LLM Dragons (on Crime Fiction in 2026)

Ovidia--every other Tuesday

In this strange space between Christmas and the start of the new year, I've been finding it hard to focus productively.

I know I need to let go of things to free up space in my life for new things to come in, and I like that very much in theory--only I haven't exactly been letting go of things. In fact I bought more notebooks and pens yesterday. In the coming year I mean to try to record my reading and writing with good, old fashioned pen and paper.

Because though I use computers to send out my writing, pens (and pencils) are how I think with my fingers... and because I find the new AI Large Language Models intimidating. I've been reading about them, how they're taking over the writing of everything from college papers to novels and frying our brains!

But now I admit they scare me, I have to find out more about them--know your enemies, right?
Looking into LLM(Large Language Model) generated AIs feels a little like going into the dragon's lair and I'm not sure whether I'll get out again--or what I'll come out as.

But I figured that where I am now, between books and between years, is the best time to chase dragons.

So I downloaded 4 apps: free versions of ChatGPT, Claude, Dibbly Create and Gemini.



And asked each of them to suggest what Crime Fiction Writers can best do in 2026 in a world of shrinking attention spans...

ChatGPT:
In 2026, when everyone is fighting shrinking attention spans, crime fiction writers can actually lean into what our genre does best: create curiosity that refuses to let go.
Let’s write with momentum — shorter chapters, clearer stakes, hooks that reward readers quickly — while still delivering emotional depth and moral complexity over time. Let’s also meet readers where they are: share snippets, bonus scenes, and behind-the-scenes peeks on social platforms to invite them back into books rather than compete with those platforms.
And perhaps most important, let’s read each other generously, recommend widely, and celebrate stories that make people feel smart, seen, and satisfied — because when reading feels rewarding, people make time for it, no matter how busy the world gets.

Claude:
As crime fiction writers navigating 2026's fractured attention landscape, our greatest opportunity lies not in surrendering to brevity but in weaponizing what makes our genre irresistible: narrative hooks that create genuine compulsion.
While the world scrolls faster, mystery readers still devour 400-page novels in single sittings when the stakes feel immediate and personal.
Consider structuring your work with shorter, propulsive chapters that offer natural pause points without sacrificing depth—each one ending with a question that demands answering.
Embrace serialization where it makes sense, whether through newsletter fiction, social media storytelling that builds community, or podcast adaptations that meet readers in their commute-time reality.
Most importantly, remember that "short attention span" often means "low tolerance for padding"—readers will focus intently on prose that earns every sentence. They're not asking for less substance; they're asking us to cut the throat-clearing and get to the body in the library.
Make your opening pages do what crime fiction does best: create an itch that can only be scratched by turning the next page, and the next, until the case is closed.

Dibbly Create:
In 2026, crime fiction writers face the challenge of capturing readers' fleeting attention in an age of shrinking focus spans. To boost both writing and reading, authors can embrace concise, impactful storytelling, weaving gripping narratives with sharp, immersive scenes that hook readers swiftly.
Experimenting with multimedia formats such as audio snippets, interactive mysteries, or serialized micro-stories shared on social platforms can engage diverse audiences.
Prioritizing compelling, relatable characters and cliffhanger endings will keep readers eager for more, while fostering a vibrant community through online discussions and exclusive previews will deepen the connection between writers and their audience, revitalizing the crime fiction genre for the modern era.

Gemini:
To boost writing and reading in 2026, we must stop viewing the "short attention span" as a hurdle and start treating it as a new narrative architecture.
Instead of thinning out our plots, we should lean into "narrative Darwinism" by sharpening our hooks and adopting a serialized mindset that mirrors the dopamine-driven pace of the digital age.
By experimenting with micro-tensions—small, relentless questions seeded in every scene—and exploring shorter, punchy formats like novellas or episodic releases, we can meet readers where they are without sacrificing the depth they crave.
Ultimately, the writers who thrive in 2026 won’t be those who simplify their mysteries, but those who provide a high-value, "picky-attention" experience that respects the reader's time with lean, muscular prose and an undeniable reason to turn the next page.
Here is a "Quick Tips" sidebar offering actionable strategies for the crime writers of 2026. Strategies for the "Picky-Attention" Era
- The 10-Percent Rule: Aim to cut 10% of "connective tissue" (travel scenes, waking up, over-description) to ensure every page contains either a clue, a character pivot, or a pulse-quickening moment.
- The "Episodic" Hook: Structure novels with clear "mini-arcs" every 50 pages. This provides natural resting points for busy readers while creating a "just one more chapter" compulsion.
- Multimedia Integration: Consider offering "Atmospheric Companions," such as a curated Spotify playlist or a digital map of the crime scene, to deepen the immersive experience beyond the printed word.
- Micro-Mystery Marketing: Use social media to share 30-second "cold opens" or character interrogations to hook potential readers with immediate, bite-sized intrigue.
- Lean, Muscular Prose: Prioritize active verbs and sharp dialogue. In 2026, clarity is the greatest respect you can show a reader’s time.

Me:
I was surprised by how different their responses were. I kind of expected them all to be pretty much the same, drawing on the same material.
But then they weren't saying all that much either--kind of like the 'How to Write' books I used to devour (in the pre-Internet years) which is likely where this material came from.

So I asked each of them if they could come up with a 'manifesto' for crime writing in 2026, suggesting the rhythm of Tennyson's 'To strive, to seek, to find and not to yield' :

ChatGPT:
A Crime Fiction Manifesto for 2026 To read—widely and greedily.
Old masters and new voices, comfort rereads and risky choices.
To remember why we fell in love with this crooked, clever genre in the first place.
To write—even when the plot sulks,
even when the middle collapses,
even when the detective refuses to cooperate.
To put words on the page before we decide whether they’re any good.
To revise—again, and then again.
To sharpen clues, deepen motives,
cut what we love if it doesn’t serve the story,
and trust that clarity is an act of kindness to the reader.
To notice—how people lie, how cities breathe,
how justice is bent, delayed, or quietly delivered.
To steal shamelessly from life and return it improved.
To persist—through rejections, silence, distractions,
and the dangerous lie that everyone else finds this easy.
To keep faith with the work even when confidence goes missing.
To find pleasure—in puzzles solved,
in sentences that finally click,
in the shared language of alibis, red herrings, and motive.
And above all:
to read, to write, to revise (and revise again),
to ask better questions,
to keep showing up—
and not to yield.

Dibbly Create:
To read with fervor,To write with passion,To unravel mysteries with each draft,To chase elusive truths in every plot twist,To embrace every red herring and dead end,To share our stories and hear others’,And never to yield—For in the shadows of doubt lies the light of discovery,And together, we solve the unsolvable.

Claude AI:
THE CRIME FICTION COMPACT: A MANIFESTO FOR 2026
To read, to write, to relentlessly revise—and not to yield.
We are the keepers of dark stories and difficult truths. We write about murder and call it love.
We read about violence and call it understanding. In 2026, when the world offers endless distractions and reasons to abandon our pages, we make these promises to ourselves and each other: We will read promiscuously. The cozy and the noir. The police procedural and the psychological thriller. The debut and the backlist.
We will read outside our comfort zones and inside our favorite tropes. We will remember that every book we finish feeds the writer we're becoming. We will write badly before we write well.
The first draft is allowed to be a crime against literature. That's why revision exists. We will silence the editor on our shoulder and let the storyteller run wild. There will be time to clean up the blood spatter later.
We will revise with ruthless affection. We will murder our darlings when the story demands it, keep what serves the truth, and know the difference. Every cut makes the heart beat faster. We will trust the crooked path. Not every writing day will sing. Not every book will land. Not every protagonist will cooperate. The detour is part of the mystery. The solution reveals itself to those who stay with the case.
We will remember why we're here. Because crime fiction asks the questions that matter: What do people do when everything's at stake? What does justice look like? How do we live with what we've done? Because somewhere, someone needs the exact story only we can tell.
We will show up. On the days inspiration strikes and the days it doesn't. For fifteen minutes or five hours. To the blank page and the messy middle and the terrifying end. Presence is the only non-negotiable.
We will not go gently into the algorithm. We will resist the voices that say we're too slow, too quiet, too niche, too late. We will write the books that won't leave us alone, not the books that trend on Tuesday. The work will find its readers. Our job is the work.
We will celebrate each other's kills. Every finished draft, every publication, every review, every reader found. There is enough room in this genre for all of us. Your success doesn't diminish mine. Your book might be the one that saves someone's life, or at least their Wednesday.
This year, we refuse to let doubt close the case early. We commit to the crime. We follow the evidence. We stay until we solve it.
To read, to write, to relentlessly revise—and not to yield.
Now go forth and leave no witness.

Gemini:
In 2026, the world might feel like a locked-room mystery with no obvious exit, but for the lovers of the macabre and the masters of the "whodunnit," it is simply the ultimate prompt.
Here is a manifesto for the year ahead—a guide for the investigators of the human heart and the architects of the perfect alibi.
The 2026 Crime Fiction Manifesto
To Read, To Write, To Kill Your Darlings, and Not to Yield.
I. The Prime Directive
We recognize that crime fiction is not just about the "crime"; it is about the restoration of order in a chaotic world. In 2026, when the plot of reality feels thin, we promise to thicken our own.
II. On the Act of Reading (The Investigation)
- Broaden the Search: We shall read outside our usual jurisdictions. If you love Gritty Noir, find a Cozy. If you love Police Procedurals, find a Psychological Thriller.
- The Alibi of Silence: We will carve out thirty minutes of "untraceable time" each day. No phones, no pings—just us and the page.
- Support the Informants: We will buy from independent bookstores and leave reviews for mid-list authors.
In the ecosystem of crime, every witness matters. III. On the Act of Writing (The Execution)
- Trust the Process, Not the First Draft: We acknowledge that a first draft is just a body at a crime scene—messy, confusing, and full of unanswered questions. The truth comes out in the interrogation (the edit).
- No Clue is Too Small: We will write even when the "motive" is missing. 200 words a day is better than a "cold case" file that sits in a drawer for a decade.
- Embrace the Red Herring: When the plot stalls, we will throw a metaphorical grenade into the room. If we are surprised, the reader will be too. IV. On the Spirit of the Craft (The Code of Silence)
- Community Over Competition: We are a syndicate, not rivals. We celebrate the success of our peers because a win for one "detective" is a win for the genre.
- Resilience is the Only Weapon: Rejections are just "inconclusive evidence." We will not let a "No" stop us from finding the "Yes."
The 2026 Vow:
"I will look for the shadows where others seek the sun. I will find the logic in the illogical. I will read for the thrill, write for the soul, kill my darlings for the art, and I will never yield to the blank page."

Me:
What's maybe most frightening is how I kind of like these responses--especially 'We will not go gently into the algorithm' and I feel the lure of long, meandering conversations with a witty bot that doesn't get bored or have its feelings hurt by what I say. Interacting feels like meaningful engagement.
But is it? It kind of follows the 'rules' of engagement--the LLMs have access to more information than I do, so I'm learning stuff. And I try to verify the material so I'm paying attention and assessing it which is engagement. It certainly feels more 'involved' than passively staring at a screen.
I kind of like the 'character' nuanced responses generated and I'm impressed by the programming. As with everything else, it's how we use it, I guess.

But I'm still looking forward to using my new pens and new notebooks! Wishing you all a Happy, Healthy and Hope Filled 2026!