Monday, August 4, 2025

Mystery Tropes

 Annamaria on Monday

Much of what I want to say on this topic has more to do with movies and TV shows than with books, but I fear some of these habits show up in crime stories across the board.

But let's start with crime stories on film. They are the ones, rather than ones I have read that inspired me to write about this on this topic. Like many people I suppose, over the past few years I have taken to binge watching crime series.  (Could this new habit be a symptom of "Long Covid?). Anyway, I keep seeing almost identical scenes as I work my way through the episodes, in date order, of course. I find myself able to guess accurately what is coming next.  I bet you can too.

For instance:


At some point in the story, the scene shifts to a wooded area.   Soon  a dog runs into the shot (almost always from the right).  Then the dog's owner, typically not a character in the story, follows.  What do you think happens next?  Of course you know.

Then there is this one:



A beautiful woman sits before a mirror and dons a splendid necklace which includes many very large and very expensive jewels.  And then...

Or:

One of the characters in the story happens to have a storage unit not connected to his residence.  Depending on whether that character is a good guy or bad guy, the unit will contain....


Tropes can, of course, be used to great effect.  My problem is that as soon as I see the dog in the woods, I know in the next three minutes, there will be a hand sticking out of the dirt. One of the things we, both readers and writers, love about our genre is suspense.  Predictability is the enemy of a good story.

Suppose the dog were to find something wildly unexpected: like the drivers license of a convicted murderer who was executed six years ago. With fresh blood on it. 

Then there are tropes that are supposed to help you comply with the "rules" for writing crime fiction.

"Rule one":  The person who is going to be your crime solver must have "a character flaw."  Google the rule and you will find lists, sometimes LONG ones, of suggested flaws you can paste on to your good guy.  He's a cop? But he has a flaw, so he may not be able to control his habitual drunkenness to solve the crime.  Or her troubled family will distract her and make it hared for her concentrate.  

"Paste on" character flaws can seem that way, because we've see it before.  Oh no, not another private detective who is fighting with his spouse over custody of the children.


Then there are those lists of nice traits that you can paste on to your villain.  Such as he loves his mother?  Or he is kind to animals?

Perhaps the best way we can use those lists of tropes is to consult them when we have a "good idea."  If my idea is on the list, I am going try to think of something else.

6 comments:

  1. Good points, Annmaria. And of course there are many, many more. The young woman alone in the house hears a noise upstairs, she doesn't call anyone or lock the door. She goes alone and unarmed to investigate, preferably in the dark...

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    1. From AA: You are so right, Michael! Even Hitchcock in Psycho had young woman goes hide in the fruit cellar, where she meets her death. When I saw the flick in the theatre lo those many years ago, a woman in the audience shouted out, "Don't go down there!"
      And how many times have we seen threatened people in a building, sometimes they are policemen, who decide to run up the stairs to get away from the bad guy with the gun. I have been known to shout at the TV: "NO!. Go down! Go down!"

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  2. The bad guy that (SURPRISE!) is really an undercover cop, and the decorated cop that is (SURPRISE!) a corrupt asshole. The woman who is having nausea problems, or vomiting, who (SURPRISE!) is pregnant. Etc. I've become terminally allergic to stories that contain (SURPRISE!)s. Give me stories about PEOPLE, their interests, their desires, their hopes and dreams (or, if you must, their fears and their nightmares), PLEASE. Just don't give me dream/nightmare sequences presented as the "real story," and then (SURPRISE!) it was just a dream. The biggest turn-off for me is a TV mini-series "based on a Harlan Corben novel", because EVERY episode, everything you'd previously been told/shown is turned upside down by (SURPRISE!), and by the end of the series, you're so confused that you simply don't give a shit. That's not to say there can't be surprises in a story, because that's what makes a story fascinating. Stories SHOULD be surprising, to keep your attention. But when surprises become (SURPRISE!)s, you know you've crossed the line from story-telling to stereotypes and caricatures.

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  3. What a perfect comment from the reader's POV, Everett. Like you, I find it insulting that screen writers and producers (and sometimes authors and publishers too) foist their dreck upon us, expecting that we are dumb enough to fall for it, In fact, though, I must confess that just last night I rewatched "The Witness," where a decorated cop (and the revered top cop) are the bad guys. Perhaps it is because that SURPRISE! comes early on that I like the movie anyway. Or it could be the display of male pulchritude... Or maybe just that scene in the garage with "What a Wonderful World" playing on the car radio.

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    1. You're talking about the 1980s Harrison Ford film? It's been TOO long since I've watched it, but my memory of it is that the (SURPRISE!) of the cops being the bad guys wasn't a major part of the film (that is, the SURPRISE! itself wasn't), that just provided the antagonists for the drama, the point of the movie was really about the collisions between the two cultural worlds, the drama of trying to save the boy's life (as well as Ford's), and the love story. I guess I would consider this a 'surprise' rather than a (SURPRISE!), because it's not there primarily for the shock value, but rather provides much of the tension in the story. Without them, Ford and the boy wouldn't have to be hiding out in the Amish community, and it would be a VERY different story.

      Now, I'm going to have dig out the movie and watch it. :-)))

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    2. Speaking of Harrison Ford brought to mind another of his movies that ends with a big surprise, but I don't consider it a (SURPRISE!), but rather the pay-off for the whole movie. The movie is "Regarding Henry" (painting Ritz crackers...)

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