Wednesday, March 27, 2019

A Writer's Escape to the East Caribbean: St. Kitt's

Sujata Massey



Confession. Last week, I did a scant amount of writing, and a lot of hillside climbing, on the Eastern Caribbean island of St. Christopher, better known as St. Kitts.

I had flown here with all good intentions. Freed of daily chores, including dog walking and driving and cooking, I suspected my mind would expand. To stay in a colonial style cottage in the rain-forest, to gaze through a screen of trees at sparkling blue water, would only enhance my motivation. It all made sense!

The problem with going to a place like St. Kitts is that the scenery is so spectacular it’s difficult for a visitor to notice anything else. I became mindful without being tied to any formal practices. I simply could not focus on much, except for my immediate environment: the sparkling sea and endless parade of clouds. Although it wasn’t all sunshine; sometimes it rained gently, or the water poured down like an Indian monsoon. 




I'd dragged my husband along with me to Bellemont Farm, a working organic farm/luxury resort. The farm is investor and government-owned meant to bring jobs and profits to the island. The eco-resort has 44 guest cottages and villas, and about as many more that are partially built. The development was  designed by Bangkok-based architect Bill Bensley in St. Kitt's historic cottage style and built stone by stone by carpenters and stonemasons from the island. 

Without a doubt, the raw landscape is Bellemont's greatest asset. There are almost 500 acres of undeveloped hilly land that once belonged to sugar barons, but was unsuitable for sugarcane. These hills are close to the island's dormant volcano, Mount Liamuiga; and volcanic soil is said to bring a special sweetness to the vegetables and fruit grown in its terroir.

It is hard not to slip into French here, even if you don't speak it, because the French and English were continuously vying to dominate the island since the 1600s.  The island was originally inhabited by Carib Indians who were the victims of a. horrific genocide by the French and British settlers working together. Without anyone to undertake the hard labor of sugar farming, the colonists ordered slaves brought from Africa. After the British government outlawed slavery, British sugar plantation owners used indentured laborers from Asia. 




St. Kitts and neighboring island Nevis became an independent nation-state in 1983, and they still retain membership in the Commonwealth nations. St. Kitt’s last sugar plantation closed in 2005, quite late compared to other countries with sugar. The island has both a veterinary and medical school that attract North American students. There is a main tourist drag called Frigate Bay on the south end of the island close to the airport. 


On a half day tour of the island, we saw plenty of simple houses in villages that we passed through on the main island road. This is not a prosperous island, and the government is encouraging people to invest in good building projects here, in exchange for a St. Kitts passport. I thought it was great that the original villages, some going back to the 1600s, have survived and are honored with signs one sees driving along the winding beach road.

For the smallest sovereign state in the Americas, sustainable luxury is a delicate issue. Bellemont’s shingled guest cottages are not a literal depiction of the homes that sugar workers lived in, but they do succeed in making someone like me feel pampered in a homier way than a chain hotel could. And the benefit to the community is clear. Many employees had worked in sugar before the mills closed and were proud to be creating a visionary project for St. Kitts. Our taxi tour guide, Zien, worked as a surveyor at Bellemont while it was being laid out. Zien explained that if there was a big tree on the property, it could not be cut down for the sake of a cottage. The cottage could be built near the tree or on another slope. Such ecological wisdom has kept this rainforest area  very attractive to animals and gives a feeling of age and longevity to the resort.



Another sign of island pride is that every cottage is named for a Caribbean writer. Cottage 204's designated author was Slade Hopinson, a poet from Guyana. The cottages and villas are scattered throughout the hilly terrain to give their temporary tenants breathtaking views and maximum privacy from human eyes.











Many of the cedar-shingled cottages have their own private plunge pools. For some reason, ours did not--but like all of the cottages, it had three gorgeous verandas wrapping around. Because the resort is in the mountains, we experienced no mosquitos and happily spent many hours on the verandas--though the cottages themselves have subtle mosquito screening backing the shuttered windows and doors, just in case a whining bug might show up, perhaps in a different month.

The cottage's rear veranda is open to the sky to allow a maximum sea view. I found this place extremely magical at sunrise, but too bright during the day to spend much time there.






But no worries! When the sun rose, I hung out on a roofed veranda fitted with a long daybed that was perfect for writing. And the last veranda was on the cottage's south side and was clearly for Tony and me only. This was a full-scale outdoor bathroom—with tub and sinks in the open, and toilet and shower that did have latching doors for privacy. We felt utterly private because that side of the cottage was shaded with many lush trees and bushes.




Well, we weren't entirely alone. While in the outdoor bath, Tony was spied on by a curious monkey. Another time, he saw a baby monkey came off the banana tree to investigate the veranda, only to be loudly reprimanded by its mother. 




Inside, our high-ceilinged cottage was a muted fantasy of tasteful blue and white cotton fabrics and traditional island wooden furniture. We shut off the cottage's air conditioning and were thrilled by the refreshing cool air coming through the shuttered doors and windows. It was a shock to leave Bellemont’s lofty perch for the long drive to the city’s capital, Basseterre, and realize that the island could actually be humid and hot.




Some of the vast acreage is used as a sustainable organic farm, with hundreds of different fruits and vegetable.The Kitchen restaurant offered all-organic seasonal produce, meat and fish and meat cooked in a fusion of European, Caribbean and Asian styles. At breakfast, I had smoothies made from sour oranges, kale, cucumber and cantaloupe. Locally-caught mahi-mahi, lobster, tuna and snapper were on the menu, as well as free-range pork, beef, chicken, duck and rabbit.


















One misty evening close to our departure, we rode a golf cart through the twisty up and down trails to the heart of Bellemont Farm’s vegetable garden. About twelve of us gathered with the hotel’s executive managers for a special farm dinner. It was an astounding array of pickled vegetables and fruits, grilled meats and fish, freshly baked breads and fruit pies.






Conversation and wine flowed, and three hours passed without us realizing it. As my husband and I traveled up the hill for the fifth and final night of my stay, I thought about how far we had come from our everyday urban world . . . and how wonderful it was that respite could be social, as well as solitary. 





Monday, March 25, 2019

New York City: Poetry Under Your Feet

Annamaria on Monday

Of my favorite places on earth, the handiest and the most useful is the New York Public Library. It is just plain fabulous, and so important to my work that this is the final thank you of the Acknowledgements page in every book I write:



I do most of my research is NYPL's gorgeous Stephen A. Schwarzman Building on the corner of the two of the most famous streets in my home town: Fifth Avenue and 42nd Street. It's a marble palace of free knowledge.

If you travel there - as I do - by taking the subway to Grand Central Station, you will approach the building from 41st Street,  the direction of the photo above.  As you walk along the sidewalk, you will find bronze plaques imbedded in the pavement.  The first one tells you why:


Walking at a brisk New Yorker’s pace, one has time—going along—to read only the first few words of each plaque.  As I walked along one day, I realized that the first lines from each plaque form a poem.  It's about words and writing.  Mostly it's about what the library itself is about.  BOOKS!!

Here is what the plaques look like:

(Note: I am sure, somewhere on the internet, one can see them in their pristine state, but I choose to show them the way they look now, after having been walked on, pelted with rain, and caked with ice for more than twenty years.  Also I wanted to put them in the order in which they appear on the sidewalk as you walk west along 41st Street, ending at the view of the library in the photo above.  It is the order I was following when I discovered the poem below.  But the numerical order nazis at Google Blogger have engineered (if you could call it that) their software never to deviate from their chosen order, whatever IT is.)































 Here it is the poem, punctuated by me--its Columbus.  Each line is exactly the first words of a plaque, cast in bronze,  East to west is the order.

Now, on my heart’s page--
Some books are to be tasted, others to be swallowed.
There are only two or three human stories, and they go on repeating.
Not for the proud man apart. 
Dr. Rieux resolved to compile this chronicle.
The universe is made of stories, not atoms.
The rose fades and is renewed again.
When I use a word,
Someone is reading in a deepening room.
Information is light,
Then read from the treasured volume,
At the end of an hour,
There is something about the vibrating empty rooms.
Books are the treasured wealth.
I do not know which to prefer.
I want everybody to be smart.
People work much in order to secure the future
In the reading room of the New York Public Library.

All good books are alike.
There are words like FreedomSweet and wonderful.
THE MIND IS AN ENCHANTING THING
(Silence) Vladimir: What do they say?

A poem doesn’t do everything for you,
When you are old and grey and full of sleep.

Where there is much desire to learn,
A word is dead When it is said,
Some say.
I say it just
Begins to live.
Nature and art, being two different things,
They ask me to remember.

I love the old melodious lays.

If you do not tell the truth,
I do not know which is more discouraging.

…the reading of good books is alike a conversation
For all books are divisible.
The bird that would soar,
Where the press is free,
hsirebbig ton si siht!

Writing your name can lead to writing sentences.
Those of you, lost and yearning,
Everything is only for a day.

Truth Exists; Only falsehood has to be invented.

All things are words.
…a great book should leave you with many experiences,
Because when I read,
The knowledge of different literatures frees.




I love those plaques under my feet as I walk.  I love the long and the short of what they say.  Mostly, I love books.

Sunday, March 24, 2019

The Bay—new ITV crime drama set in Charlie Fox’s home town



A new six-part crime drama series started this week in the UK on ITV. Set in Morecambe and called The Bay, it stars Morven Christie as a Detective Sergeant, Lisa, who is assigned as Family Liaison Officer when fifteen-year-old twins go missing in the seaside town. Her job is to support the family and be on the inside for the police investigators.

As soon as the distraught father, Sean (played by Jonas Armstrong) arrives home, however, she discovers that he’s the bloke with whom she had a quickie while on a girls’ pub crawl the night before. Much complication ensues.

Morven Christe in ITV's The Bay

Morven Christie’s recent TV credits include Grantchester, Agatha Christie’s Ordeal By Innocence, and The A Word. Jonas Armstrong’s recent outings include Ripper StreetTroy: Fall of a City, and Line of Duty. The work of playwright and screenwriter, Daragh Carville, The Bay has been mooted as ‘Broadchurch in Morecambe’—which I’m ashamed to admit that I haven’t yet got around to watching.

I confess, though, that I do quite like TV dramas where one story is told over a number of instalments. You do seem to get more depth to the characters and, ultimately, more sympathy for the victim—and in some cases for the perpetrator as well.

Of course, I’m equally a fan of TV series made up of standalone stories—more like the way a book series is structured. At least if you miss one, you can still follow what’s happening in the next episode. Although, now we’re in the age of catch-up and box set TV, that’s not as much of a consideration anymore.

When it came to The Bay, one of the reasons I was keen to see it was because I lived around that area for many years, and briefly in Morecambe itself. The drone camera footage of the area was particularly effective, I thought. Apart from one climactic scene on the sands, they did seem to manage to pick filming times when the tide was up, which always makes the place look better! Even the famous statue of Eric Morecambe made a brief cameo appearance.

Stunning drone camera shots like this one are now well within the budget of most TV shows.

The other reason, of course, was that the first two books in the Charlie Fox series, KILLER INSTINCT and RIOT ACT, both take place around Morecambe and Lancaster. Indeed, the first scene in KILLER INSTINCT is outside an ageing Morecambe hotel right on the prom. I took a real building and renamed it the Adelphi—soon to be refurbished as the New Adelphi nightclub. The original was knocked down years ago.

I still find the area fascinating and full of dramas of its own, so it’s wonderful to see it playing such a major role in a new TV drama. And even though I had to bite my tongue at some of the decisions she made, I look forward to seeing how DS Lisa Armstrong manages to extract herself from the tangled web she’s unwittingly woven.

As for Charlie Fox, she fought her way out. What else did you expect?

Sorry, I couldn't resist!

This week’s Word of the Week is gaslighting, which is a term I’d heard but not clearly understood. It means to psychologically manipulate someone to the extent that they begin to doubt their own sanity. The term has only come into common usage in recent years but originates from the 1938 stage play ‘Gaslight’ by Patrick Hamilton. In the play—and two later film adaptations—a man dims the gaslights in his home and then persuades his wife that she is imagining the change.

May 2
NOIR AT THE BAR NEWCASTLE—the Town Wall pub, Pink Lane, Newcastle NE1 5HX
Doors open 19:00

Organised by the inimitable Vic Watson, the line-up is Neil Broadfoot, Mik Brown, Ashley Erwin, Derek Farrell, JónĆ­na Leósdóttir, Gytha Lodge, Judith O’Reilly, ZoĆ« Sharp, Lilja Sigurưardóttir, plus a wildcard chosen on the night.




May 9-12
CRIMEFEST INTERNATIONAL CRIME FICTION CONVENTION—Mercure Bristol Grand Hotel, Bristol
Friday, May 10, 13:40-14:30 Contemporary Issues: Reflecting How We Live Candy DenmanPaul GitshamCara HunterAmanda RobsonZoĆ« Sharp (Participating Moderator)
Saturday, May 11, 11:20-12:10 Ten Year Stretch: The CrimeFest Short Story Anthology Peter GuttridgeCaro RamsayZoĆ« SharpMichael Stanley (Stan Trollip), Kate Ellis (Participating Moderator)
Sunday, May 12, 09:30-10:20 The Indie Alternative Beate BoekerAdam CroftBarry FaulknerLynn FlorkiewiczZoĆ« Sharp (Participating Moderator)