Friday, August 29, 2025

Those Tropes Again!

 


I think we are on a Bouchercon Hiatus. That sounds like a medical condition where a proctologist might be of some use.

Meanwhile, here’s one of those blogs based on something that flicks up on Facebook every so often.

This was also inspired also by Annamaria's recent blog about those tropes that happen in films or TV series all the time….with my twist.

I hope all those in New Orleans are having a great time, and are asking panellists deep and incisive questions, like Where Do You Get Your Ideas From? How do you counterpoint the surrealism of the underlying metaphor?

And as Annamarie hinted, here’s what happens in films where nobody has any great ideas.

1)      The time of death is incredibly accurate to provide the main suspect with an alibi.

2)      The detective who solves the case, will be suspended from that same case, within the first three  minutes  of the episode, by the person mention in the next point.

3)       All detectives have a boss who is an idiot (that might be true in other walks of life also)

4)       One tiny light from a phone or a single cigarette lighter, will illuminate the entire park and show where  the dead body is very clearly.

5)      CSIs with very long hair, will wear their hair down and impeccably styled, then pick up a single hair from the scene with a pair of tweezers and proclaim the name of the suspect.

6)      Woman can run in high heels.

7)      Nobody buys any shopping, but the fridge is always full.

8)      Nobody goes to the toilet for the normal reasons, they go to talk about the case – or to hide by sitting   up  on the toilet lid like a distressed squirrel.

9)      Typing anything into a search engine comes back with the result wanted, instantly... sometimes after a   long stream of tech gobbledegook - I think EvKa admires this very much.....

10    Dogs know goodies from baddies, instantly. And they never need to go to the toilet either.

11     Any well-behaved dog that doesn’t come back when called, has found a body. Or a hand as       Annamaria  said. Or any body part...

12      Parking on the top floor of a multi-story car park, ends up with somebody clinging on the wall with a    very long drop below them. Goodie will grab their wrists; baddies will stand on any visible fingers.

13     Any fights in a UK TV series will be started by a drunk Glaswegian, especially if set in A and E

14      At the bar, the seat next to the person the detective wants to speak to, is always free. As is the barman.

15      In a UK crime series, the lift in a high rise is always broken.

16      Victims killed in their bedrooms will inevitably have a white carpet.

17     When two non-English speakers speak to each other, they will do it in English with an accent    borrowed from their native language, even if their native language is the same.

18     There will be a handy parade close by when a suspect is running through the city streets. St Patricks   Day, A Santa's parade etc. There’s scope here for a passing pipe band to be involved. The noise of the    bagpipes will drown out any calls for help or screams from the victim.

19    Car wheels make skidding noise even on non skiddable surfaces.

20    Mobile phone batteries die the minute the phone is really needed.

 H   Happy Bouchercon





3 comments:

  1. They also go to the toilet to talk on the phone because the plot requires that they be overheard by someone in the next stall. Who woulda thunk?

    And, yes, I greatly admire on-screen computer theatrics. They must employ several AIs.

    We recently watched a multi-episode mystery on the tele which included a well-known actor in a minor seemingly good-guy part with very little screen time. About 1/2-way into the second episode, I told the better-half that I suspected he would turn out to be somehow involved in the evil-doings. It wasn't clear to me at that point WHY I suspected that, but after the fact (which, of course, turned out to be true), I think my subconscious had picked up on the fact that it was a well-known actor in a minor, little-seen, good-guy role, and WHY would that be??? Sheesh. The old "good-guy is really a bad guy SURPRISE!" foible.

    Same show, scene sets up looking up-river over beautiful, dramatic river rapids, closing in on a daringly placed viewing platform with a character leaning on the platform rail. I immediately knew that the character would be in the river before the end of scene. I've learned to curtail my "this is what's going to happen" comments to not more than one or two per show for fear that my better half will decide to search for a setting where only halves are allowed.

    I'm still waiting for the scene where the dog returns from the bush with a man's penis in his mouth. Maybe I'm watching the wrong shows?

    The detective has about a 25% chance of being an alcoholic, and the more lone-wolf-ish the detective, the more likely that he obsessively listens to jazz, and ONLY on LP vinyl, NEVER streaming nor CDs.

    Not only is the lift always broken, but the person they're looking for is always on at least the 6th floor, and one of the detectives is always overweight, and they only send someone to "cover the back" if the person will be fleeing down the fire-escape.

    When the suspect is fleeing (through a parade, kitchen, market, etc.) they always pause to pull things down/over/in-the-way of their pursuers, wasting more time doing so than they could possibly gain. If the pursuers leap over the obstacles, you know they're going to catch their man (it's always a man, women are traditionally piss-poor at fleeing, as they can't stay on their feet and ALWAYS flood the car's engine). As soon as the pursuer trips once, bounces off people, rolls across the hood of a car, you know that their chances of catching the suspect are nearing zero.

    And mobile phones will run FOREVER (just like guns have infinite bullets) UNTIL the script requires that they fail, AND the mobile phones will work ANYWHERE (in the farthest forest, the deepest underground mine) if the script requires it.

    It really IS a great burden to bear the ability to predict what's going to happen.

    For the past couple of decades, I've been fascinated by the changes in the scripting of stories that have happened because of the advent of mobile phones. Quite a treatise could be written, contrasting the plotting of stories before and after the advent of mobiles. Think of the poor police/detectives/reporters/private-eyes that had to "return to home-base" in order to learn things or communicate with partners/witnesses/sources, whereas now multiple (possibly teams of) characters can be quickly and rapidly moved about the scriptscape effortlessly, slicing all kinds of dross from the page.

    By the way, two things: REALLY enjoyed "Where She Lies", and last night we REALLY enjoyed the movie on Netflix, "The Thursday Murder Club" which, yes, includes a number of our favorite clichés, but has such a wonderful cast and is written and directed with such panache, that is was just great fun. Highly recommended.

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    1. Holy crap. Sorry 'bout that, didn't realize I'd blathered on quite so much until the little edit box got translated into an endless diatribe that was visible in it's ugly entirety.

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  2. fun read though and I enjoyed those two too!

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