Tomorrow, all of Greece goes to the polls to elect a new
Parliament, but I’ve said all I intend to say about that here last week except
for one thing: kali tihi.
Today, I want to take you to a place that represents the sort
of inspirational magic that perpetually draws me home to Greece.
It’s perched on a western foothill of Mount
Helicon, twenty miles east of Delphi, a mile and a half from any sign of modern
times—aside from the narrow paved road that winds through hillsides covered in
fir, cedar, myrtle, arbutus and pine; high above a broad green valley filled
with cultivated olives, almonds, and patches of grape, all running off toward
distant limestone mountain slopes.
Mythology describes this place as a favorite haunt of
antiquities’ Muses, and from the way it still looks today, who am I to
disagree?
1743 Woodcut of Monastery |
Hosios Loukas |
But the history that drew me to this place is of more recent
vintage, only eleven centuries ago. In
the early 10th Century, a holy and pious hermit (osios in Greek) Loukas (896-953), born in what is today modern
Delphi, endured a life marked by raids by Slavs, Arabs, Saracens, and
Bulgarians, before finding his way into this valley of awe-inspiring natural
beauty. There he began construction of
the only church built on mainland Greece in the tenth-century. That Church of
Panaghia (the Virgin Mary) still stands today within the walls of Greece’s
largest extant monastery from Byzantium’s second golden age, and adjacent to
Greece’s oldest existing dome-octagon church, the Katholikon (big church) of
Hosios Loukas.
Courtyard with front of Church and Katholikon to right |
Front (west side) Katholikon
Rear (east side) Katholion (left) and Church |
Beneath the Katholicon is the Crypt of Saint Barbara, the
monastery’s oldest church and a place of massive stone pillars erected to
support the domes of the Katholikon above—and to which it is said monks once
chained psychopaths until cured of their madness. Here, too, lay the tomb of Hosios Loukas (sainted
as Luke of Steiris) beneath an oil lamp kept burning for ten centuries by monks
devoted to him. But don’t take for
granted the answer to, “Who’s buried in Hosios Loukas’ tomb?” for in 1011 his
remains were removed, and now reside in a glass-enclosed reliquary beneath its
own perpetually burning oil lamp in a place of honor off a passageway between
the naves of the Church and Katholikon.
Crypt of Saint Barbara |
Crypt of Saint Barbara and Tomb of Hosios Loukas |
Saint Barbara
In keeping with the teachings of Greece’s ancient temple
builders, the monastery sits in harmony with its natural surroundings. Terra
cotta roof tiles, above classical Byzantine cloisonné-style masonry walls of
marble, brick, and limestone, enclosed frescos and mosaic masterpieces set upon
backgrounds of gold. But only a fraction
of the monastery’s legendary lavish decoration remains, the balance of the
place’s precious gold and silver plate, murals, icons, and furnishings lost to
time and plunderers.
Come here at sunset, when shadows are long and light
practices its magic upon the monastery’s rusty earth-tone architectural jags
and juts, contours and edges. You’ll soon lose
track not only of time, but of centuries.
A thousand years old, the Monastery of Hosios Loukas remains an isolated
sanctuary of tranquility, one of the Mediterranean’s most impressive monuments,
and a World Heritage Site.
A wave from another saintly Barbara |
Perhaps because I’m a mystery writer, each time I
visit places of such sustaining great beauty, I can’t help but think of what
haunting secret intrigues, betrayals, bloodshed, and accommodations to the
times through which they passed allowed them to flourish while others vanished
from the earth. Sure, there’s a bit of luck
involved in averting disaster, for in 1943 Nazi planes tried to destroy the
monastery but failed. Or maybe it was answered prayers.
But to me, Hosios Loukas brings a very specific memory of
unanswered prayers to mind, one that I and many Greeks will
never forget. To reach the Monastery,
you first pass through the farming villages of Distomo and Steiri. Distomo
is a name known to every Greek of a certain age. A place of execution, of massacre, where for
two hours on June 10, 1944, Nazi SS troops went door-to-door, murdering 214
civilians, bayonetting babies in their cribs, beheading the local priest. Slaughter haunted this place…and is remembered—as
it should be—so that no one forgets how brutal can be the results of unchecked
political myopic madness.
And so, permit me to close with a translation of the two
Greek words I used to open, “Good luck.”
Jeff—Saturday
Beautiful! Thanks for the words, Jeff, and thanks for the pictures, Barbara! Maybe the two of you should become the "Poke Rafferty" of Greece and write a travel book! :-) But, no, that would impact the delivery of the further adventures of Kaldis and friends, and we can't have THAT! Nosireeeeee!
ReplyDeleteThanks, EvKa. But as much as I adore Tim's Poke Rafferty--which reminds me to say that I can't wait to see you in March in Portland when we gather to honor Mr. Hallinan as Guest of Honor at Left Coast Crime--I must agree with you that any attempt on my part to turn into a Greek version of Poke would very likely cost me my I. :)
ReplyDeleteBreathtaking, and a good reminder of what is good and wonderful and the cruelty that man can unleash.
ReplyDeleteYes, Lil, it is an area of conflicting vibes, but breathtakingly beautiful and serene at the monastery.
ReplyDeleteBeautiful photos! They reminded me of my visits to Delphi, where I looked down at stunning landscapes, although the ride to Delphi was the scariest I was ever on, not made easier by the shrines at the side of the road where cars had plunged into the abyss.
ReplyDeleteHave we got a hint here of Kaldis #7? The skulls in the monastery are quite contrast to the Capuchin monastery in Rome, where bones are made into elaborate designs. Beautiful ones. A reminder by the monks that however beautiful what the world offers, we should all "memento mori." Some orders of monks put skulls on their dining table for the same reason. But these skulls tell a far more frightening story. What monster could bayonet a baby? (Not that killing adults isn't also monstrous.)
Well, Barbara, Kaldis #7 is called "Devil of Delphi" so it's only natural for the beauty of the entire region to play some part. :)
DeleteAs for the sadness looming all about those memorials, standing there before them does bring some understanding to the anger so many Greeks feel over Germany's role in Greece's current financial suffering. After all, it's been 70 years since this horrific war crimes' massacre and yet the German government persists in resisting legal efforts by families of the slain villagers seeking reparations.